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“I am a sound artist, my interest is in field recordings, which is recording the sounds I find instead of musicians or other arranged sounds. The sounds that I like are accidents, which are not made specifically to be recorded (like when a musician plays in a studio).

I got interested in listening to and recording this kind of sound when I started to travel outside of the United States. I was already a musician and had recorded myself, but only normal instruments.

Maybe because I was an amateur musician I paid more attention to what I heard in different places and I found out that world sounds very different in different places. I discovered that I could learn a lot about places by listening to what they sound like. You could learn about the land, the wild animals, the domestic animals, the pets, the kind of work people do, the kind of songs they sing, what the language sounds like (even when I cannot understand it) and how people to talk to one another… it is a window as big as through the eyes but usually we are so distracted looking we don’t pay attention to this window.

I think it can be easier to hear things that are unique to a place when you travel, this has become a reason for me to travel. When you live somewhere you get used to the sounds, they get familiar, and they start to tell you different things. This is good because you learn to understand the sound as if it were a language, but just like your own language, you don’t really hear how it sounds anymore, instead you think about what it means.

Just like I hear maybe more of how Portuguese sounds instead of what someone is saying or how they are saying it or where they are from.When I go some place new like Nodar I hear it differently from people who live there. I don’t think I hear it “better,” of course. I just hear it freshly for a little while, until it becomes familiar. I don’t know the significance of different sounds at first but I do pay a lot of attention to what I hear.”

Aaron Ximm, a.k.a. Quiet American (USA). Sound artist, phonographer. He made his first work composed from field recordings in the fall of 1998 while travelling in Vietnam. Quiet American has been played on numerous radio programs and streaming internet stations. He has been interviewed by numerous public radio stations and reviewed in print by the major experimental music magazines. His perpetually-popular one-minute vacations project was featured on WNYC’s The Next Big Thing and is regularly cited on blogs and portals.

Aaron’s collaboration with his wife “Annapurna: Memories in Sound”, was awarded the Director’s Choice Honorable Mention at the 2002 Third Coast International Audio Festival. The concert series he curated and hosted from 2001-2005, Field Effects, was awarded a Best of San Francisco award from the SF Weekly and a Best of the Bay award from the San Francisco Bay Guardian. His recordings have been used in a variety of other projects, including albums by Shuttle 358 and Noe Venable.

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