TUNING YOUR EARS AND COMPOSING THE WORLD
A workshop / laboratory conducted by:
Maile Colbert (EUA) & Rui Costa (PT)
OBJECTIVES
In our hyper-visual modern world, where we are bombarded with constant visual media… television, advertisements, etc… we have forgotten how to listen. Students will be guided to “re-tune” their ears to actively pay attention to the rich aural world around them, to listen actively and imaginatively, and not just passively hear. They will then use their ears, creativity, and new set of tools to create an audio composition using the world around them as instrument.
The laboratory offers an introduction to:
- Methods of directing the ear towards detailed sonic perception
- The use of sound to examine the qualities of the surrounding space and a person’s perspective of it
- Methods and tools for recording the sound environments
- Methods for organizing and creating a sound library
- An historical perspective on sound art and the use of field recordings in music
- Basics of sound physics and music composition theory
- Practical approaches to composing music with field recordings
The laboratory will be conducted by two artists who are specialists in the various areas in question (sound recording, digital audio processing and computer music composition) and proposes an approach of immediate and practical application of the concepts and tools, through the development of a final project including contributions of all the participants.
TARGET GROUP
Any person interested in sound art and, generically, in experimental artistic practice.
STRUCTURE
1st Phase: Introduction to Sound
- Brief historical summary of “musique concrète” and sound art and examples of contemporary artists working with field recordings (“phonographers”)
- Presentation of the basic of sound physics and music composition theory
- Introduction to the concept of “Soundscape”
2nd Phase: Retuning the Ears
- Development and broadening of consciousness on the surrounding space using concentration and relaxation techniques
- Active listening exercises of the environmental sounds and discussion on their acoustic characteristics
- Creation of a list of sounds to record
3rd Phase: Environmental Sound Recording
- Introduction to sound recording equipment. The role of different types of microphones in different sound capturing scenarios
- Environmental sound recording exercises
- Introduction to the Audacity sound editing software and its applicability in the post-production of recorded sounds
- Brief introduction to the techniques of digital audio processing and their use in the manipulation of the recorded sounds
- Collective discussion, selection and editing of sounds to be used in the final composition
4th Phase: Composing with Field Recordings
The participants will develop, at the last day of the laboratory, a brief collaborative sound composition using the various notions and techniques learned in the previous modules. The final audio piece will be publicly presented and, after its ending, a collective reflection session will take place where the results of the workshop and the final project will be analyzed by all the participants and the possibilities for further exploration of the concepts will be discussed.
DURATION AND LOCATIONS
2 days in full-time (8 hours) or 4 days in part-time (4 hours), in dates and places to be announced.
REQUIREMENTS
It is recommended that those participants who use some kind of sound editing / multi-track software (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) bring their laptops. Nevertheless, the sound editing module of the workshop will essentially use the Audacity freeware software.
APPLICATIONS
Please send an e-mail message to info[at]binauralmedia.org, referring your name, address, age, e-mail address, URL, short biography and the reason for applying to this workshop.
The laboratories will be organized as a function of the number of applications received from the same geographical region.
Some photos from two previous workshops:
Vimioso, Portugal (May 2008):
Nodar, Portugal (August 2008):
TUNING YOUR EARS AND COMPOSING THE WORLD
A workshop / laboratory conducted by:
Maile Colbert (EUA) & Rui Costa (PT)
OBJECTIVES
In our hyper-visual modern world, where we are bombarded with constant visual media… television, advertisements, etc… we have forgotten how to listen. Students will be guided to “re-tune” their ears to actively pay attention to the rich aural world around them, to listen actively and imaginatively, and not just passively hear. They will then use their ears, creativity, and new set of tools to create an audio composition using the world around them as instrument.
The laboratory offers an introduction to:
- Methods of directing the ear towards detailed sonic perception
- The use of sound to examine the qualities of the surrounding space and a person’s perspective of it
- Methods and tools for recording the sound environments
- Methods for organizing and creating a sound library
- An historical perspective on sound art and the use of field recordings in music
- Basics of sound physics and music composition theory
- Practical approaches to composing music with field recordings
The laboratory will be conducted by two artists who are specialists in the various areas in question (sound recording, digital audio processing and computer music composition) and proposes an approach of immediate and practical application of the concepts and tools, through the development of a final project including contributions of all the participants.
TARGET GROUP
Any person interested in sound art and, generically, in experimental artistic practice.
STRUCTURE
1st Phase: Introduction to Sound
- Brief historical summary of “musique concrète” and sound art and examples of contemporary artists working with field recordings (“phonographers”)
- Presentation of the basic of sound physics and music composition theory
- Introduction to the concept of “Soundscape”
2nd Phase: Retuning the Ears
- Development and broadening of consciousness on the surrounding space using concentration and relaxation techniques
- Active listening exercises of the environmental sounds and discussion on their acoustic characteristics
- Creation of a list of sounds to record
3rd Phase: Environmental Sound Recording
- Introduction to sound recording equipment. The role of different types of microphones in different sound capturing scenarios
- Environmental sound recording exercises
- Introduction to the Audacity sound editing software and its applicability in the post-production of recorded sounds
- Brief introduction to the techniques of digital audio processing and their use in the manipulation of the recorded sounds
- Collective discussion, selection and editing of sounds to be used in the final composition
4th Phase: Composing with Field Recordings
The participants will develop, at the last day of the laboratory, a brief collaborative sound composition using the various notions and techniques learned in the previous modules. The final audio piece will be publicly presented and, after its ending, a collective reflection session will take place where the results of the workshop and the final project will be analyzed by all the participants and the possibilities for further exploration of the concepts will be discussed.
DURATION AND LOCATIONS
2 days in full-time (8 hours) or 4 days in part-time (4 hours), in dates and places to be announced.
REQUIREMENTS
It is recommended that those participants who use some kind of sound editing / multi-track software (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) bring their laptops. Nevertheless, the sound editing module of the workshop will essentially use the Audacity freeware software.
APPLICATIONS
Please send an e-mail message to info[at]binauralmedia.org, referring your name, address, age, e-mail address, URL, short biography and the reason for applying to this workshop.
The laboratories will be organized as a function of the number of applications received from the same geographical region.
Some photos from two previous workshops:
Vimioso, Portugal (May 2008):
Nodar, Portugal (August 2008):
