{"id":6346,"date":"2013-05-13T13:42:07","date_gmt":"2013-05-13T12:42:07","guid":{"rendered":"http:\/\/binauralmedia.org\/news\/?p=6346"},"modified":"2023-06-13T09:04:23","modified_gmt":"2023-06-13T09:04:23","slug":"6346","status":"publish","type":"post","link":"https:\/\/www.binauralmedia.org\/news\/arquivo\/6346","title":{"rendered":"&#8220;Moroloja&#8221; de Manuela Barile exibido em Tbilisi, Ge\u00f3rgia"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p>A cria\u00e7\u00e3o de v\u00eddeo-performance &#8220;Moroloja&#8221; de Manuela Barile foi seleccionada para o festival CologneOFF 2013 Georgia que se realiza entre 16 e 18 de Maio em Tbilisi. \u201cMoroloja\u201d \u00e9 uma instala\u00e7\u00e3o v\u00eddeo de 11min., inspirada no hino a Demetra de Homero. Mostra uma mulher jovem vestida de preto. Ela est\u00e1 sozinha, sentada numa cadeira dentro de uma casa abandonada em Nodar (Portugal). Ela \u00e9 Demetra, a deusa do gr\u00e3o e da fertilidade. Ela est\u00e1 a sofrer sozinha, porque perdeu a sua filha.<\/p>\n<p>CologneOFF 2013 Georgia<br \/>\n\u00e9 uma colabora\u00e7\u00e3o com CCA Tbilisi\/Georgia<\/p>\n<p>Cologne Art &amp; Moving Images Awards<br \/>\nanuncia o seu primeiro evento em Tbilisi\/Georgia<br \/>\n&#8211; CCA Contemporary Art Center Tbilisi realizado ao longo de tr\u00eas dias<br \/>\n16-17-18 Maio 2013 | 18h &#8211; 22h.<br \/>\nCologneOFF VIII \u2013 memory &amp; identity<br \/>\nSelecionado por Agricola de Cologne<\/p>\n<p><strong>Manuela Barile (Portugal) \u2013 Moroloja 2008, 8:05<\/strong><br \/>\nPablo Fernandez-Pujol (Spain) \u2013 142-143 \u2013 2010, 2:10<br \/>\nMark Kadota (Japan) \u2013 Un-Caged, 2012, 5:30<br \/>\nRyota Hamasaki (Japan) \u2013 Desertion, 2011, 10:00<br \/>\nHamza Halloubi (Morocco) \u2013 Untitled (Lait), 2007, 0:51<br \/>\nEmanuela Iorga (Moldova) \u2013 My Jazz, 2011, 3:20<br \/>\nAntti Savela (Sweden) \u2013 \u201cMother\u201d, 2008, 1:00<br \/>\nAnthony Rousseau (France) \u2013 Climax, 2008, 1:00<br \/>\nJohnny Milner (Australia) \u2013 The Chest, 2007, 3:15<br \/>\nValerio de Bonis (Italy) A Gift for\u2026, 2010, 6:15<br \/>\nPrzemek W\u0119grzyn (Poland) \u2013 The Spring, 2011, 3:20<br \/>\nIrina Gabiani (Georgia) \u2013 Diachronicon \u2013 2010, 1:00<br \/>\nEimhin Hawes (Ireland) \u2013 Passage, 2009, 7:30<br \/>\nWrik Mead (Canada) \u2013 Winter\u2019s End, 2010, 8:00<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<br \/>\nCologne Art &amp; Moving Images Awards<br \/>\nCologneOFF &#8211; Cologne International Videoart Festival<br \/>\nhttp:\/\/coff.newmediafest.org\/blog\/<br \/>\nartvideo (at) koeln.de<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":17975,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-6346","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/posts\/6346","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/comments?post=6346"}],"version-history":[{"count":5,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/posts\/6346\/revisions"}],"predecessor-version":[{"id":17977,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/posts\/6346\/revisions\/17977"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/media\/17975"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/media?parent=6346"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/categories?post=6346"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/tags?post=6346"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}