{"id":2575,"date":"2011-10-26T10:51:28","date_gmt":"2011-10-26T09:51:28","guid":{"rendered":"http:\/\/www.binauralmedia.org\/news\/?p=2575"},"modified":"2023-06-12T11:39:09","modified_gmt":"2023-06-12T11:39:09","slug":"g-d-parada-de-duncan-whitley-countertext-bridport-uk","status":"publish","type":"post","link":"https:\/\/www.binauralmedia.org\/news\/arquivo\/2575","title":{"rendered":"&#8220;G.D. Parada\u201d de Duncan Whitley no Countertext, Bridport (UK)"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p><strong>&#8220;G. D. Parada&#8221;<br \/>\n<span style=\"font-weight: normal;\"> Duncan Whitley (Londres): <\/span><\/strong>projec\u00e7\u00e3o baseada em texto com \u00e1udio est\u00e9reo<br \/>\nSexta-feira 18 &#8211; S\u00e1bado 26 de novembro de 2011<\/p>\n<p>Local: MediaLab LabCulture<br \/>\n1 Kings Square<br \/>\nBridport<br \/>\nDorset<br \/>\nDT6 3QE<br \/>\nInglaterra<\/p>\n<p>&#8220;GD Parada&#8221;, um trabalho de Duncan Whitley e produzido pela Binaural \/ Nodar, faz parte de &#8220;Countertext&#8221;, uma cole\u00e7\u00e3o de instala\u00e7\u00f5es transmedia e eventos para complementar o Festival do Livro de Bridport, incluindo escultura, v\u00eddeo, som e performance, com curadoria de David Rogers e Nigel Slight.<\/p>\n<p>&#8220;GD Parada&#8221; tem como objecto uma equipa de futebol amador, &#8216;Grupo Desportivo de Parada, no Portugal rural. Com grava\u00e7\u00f5es sonoras delicadamente trabalhadas e entrevistas transcritas como o corpo r\u00edtmico da obra, o artista coloca o som em novos relacionamentos com imagem, texto e v\u00eddeo. Whitley explora liga\u00e7\u00f5es entre os campos de arte contempor\u00e2nea e da etnografia: com um foco particular sobre o mundo rico e sensorial do som.<\/p>\n<p>Uma faixa de \u00e1udio retirada do projecto &#8220;G.D. &#8220;Parada est\u00e1 inclu\u00edda no CD duplo&#8221; Location-Specific Sound 2007-2009 &#8220;, publicado pelas Edi\u00e7\u00f5es Nodar como parte do cat\u00e1logo retrospectivo &#8221; Tr\u00eas Anos em Nodar&#8221;.<\/p>\n<p>Mais informa\u00e7\u00f5es sobre Duncan Whitley, aqui.<\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":17752,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2575","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/posts\/2575","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/comments?post=2575"}],"version-history":[{"count":5,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/posts\/2575\/revisions"}],"predecessor-version":[{"id":17754,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/posts\/2575\/revisions\/17754"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/media\/17752"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/media?parent=2575"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/categories?post=2575"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/tags?post=2575"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}