{"id":91,"date":"2008-08-30T11:49:37","date_gmt":"2008-08-30T10:49:37","guid":{"rendered":"http:\/\/www.binauralmedia.org\/news\/?page_id=91&#038;langswitch_lang=pt"},"modified":"2021-08-16T15:34:08","modified_gmt":"2021-08-16T15:34:08","slug":"field-recordings","status":"publish","type":"avada_portfolio","link":"https:\/\/www.binauralmedia.org\/news\/arquivo\/portfolio-items\/field-recordings","title":{"rendered":"Laborat\u00f3rio de Som Territorial"},"content":{"rendered":"<p><strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" alt=\"IMG_8182.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" alt=\"IMG_8264.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" alt=\"IMG_8205.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" alt=\"IMG_8208.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" alt=\"IMG_8236.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" alt=\"IMG_8228.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" alt=\"_MG_1341.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" alt=\"_MG_1306.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" alt=\"IMG_1338.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" alt=\"IMG_1349.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" alt=\"IMG_1334.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" alt=\"IMG_1328.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a>[\/fusion_text]<div class=\"fusion-text fusion-text-1\"><p><strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" alt=\"IMG_8182.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" alt=\"IMG_8264.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" alt=\"IMG_8205.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" alt=\"IMG_8208.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" alt=\"IMG_8236.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" alt=\"IMG_8228.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" alt=\"_MG_1341.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" alt=\"_MG_1306.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" alt=\"IMG_1338.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" alt=\"IMG_1349.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" alt=\"IMG_1334.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" alt=\"IMG_1328.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<\/div><div class=\"fusion-text fusion-text-2\"><p><strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" alt=\"IMG_8182.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" alt=\"IMG_8264.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" alt=\"IMG_8205.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" alt=\"IMG_8208.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" alt=\"IMG_8236.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" alt=\"IMG_8228.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" alt=\"_MG_1341.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" alt=\"_MG_1306.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" alt=\"IMG_1338.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" alt=\"IMG_1349.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" alt=\"IMG_1334.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" alt=\"IMG_1328.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<\/div><div class=\"fusion-text fusion-text-3\"><p><strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" alt=\"IMG_8182.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" alt=\"IMG_8264.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" alt=\"IMG_8205.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" alt=\"IMG_8208.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" alt=\"IMG_8236.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" alt=\"IMG_8228.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" alt=\"_MG_1341.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" alt=\"_MG_1306.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" alt=\"IMG_1338.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" alt=\"IMG_1349.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" alt=\"IMG_1334.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" alt=\"IMG_1328.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<\/div><div class=\"fusion-text fusion-text-4\"><p><strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" alt=\"IMG_8182.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" alt=\"IMG_8264.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" alt=\"IMG_8205.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" alt=\"IMG_8208.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" alt=\"IMG_8236.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" alt=\"IMG_8228.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" alt=\"_MG_1341.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" alt=\"_MG_1306.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" alt=\"IMG_1338.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" alt=\"IMG_1349.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" alt=\"IMG_1334.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" alt=\"IMG_1328.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<\/div><div class=\"fusion-text fusion-text-5\"><p><strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" alt=\"IMG_8182.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" alt=\"IMG_8264.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" alt=\"IMG_8205.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" alt=\"IMG_8208.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" alt=\"IMG_8236.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" alt=\"IMG_8228.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" alt=\"_MG_1341.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" alt=\"_MG_1306.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" alt=\"IMG_1338.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" alt=\"IMG_1349.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" alt=\"IMG_1334.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" alt=\"IMG_1328.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<\/div><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-0 fusion_builder_column_inner_2_5 2_5 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:40%;--awb-margin-top-large:0px;--awb-margin-bottom-large:20px;--awb-width-medium:100%;--awb-width-small:100%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><\/div><\/div>[\/fusion_builder_row_inner]<div class=\"fusion-text fusion-text-6\"><p><strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" alt=\"IMG_8182.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" alt=\"IMG_8264.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" alt=\"IMG_8205.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" alt=\"IMG_8208.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" alt=\"IMG_8236.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" alt=\"IMG_8228.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" alt=\"_MG_1341.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" alt=\"_MG_1306.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" alt=\"IMG_1338.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" alt=\"IMG_1349.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" alt=\"IMG_1334.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" alt=\"IMG_1328.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<\/div><div class=\"fusion-text fusion-text-7\"><p><strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" alt=\"IMG_8182.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" alt=\"IMG_8264.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" alt=\"IMG_8205.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" alt=\"IMG_8208.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" alt=\"IMG_8236.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" alt=\"IMG_8228.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" alt=\"_MG_1341.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" alt=\"_MG_1306.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" alt=\"IMG_1338.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" alt=\"IMG_1349.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" alt=\"IMG_1334.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" alt=\"IMG_1328.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<\/div><div class=\"fusion-text fusion-text-8\"><p><strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" alt=\"IMG_8182.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" alt=\"IMG_8264.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" alt=\"IMG_8205.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" alt=\"IMG_8208.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" alt=\"IMG_8236.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" alt=\"IMG_8228.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" alt=\"_MG_1341.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" alt=\"_MG_1306.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" alt=\"IMG_1338.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" alt=\"IMG_1349.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" alt=\"IMG_1334.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" alt=\"IMG_1328.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<\/div><div class=\"fusion-text fusion-text-9\"><p><strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" alt=\"IMG_8182.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" alt=\"IMG_8264.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" alt=\"IMG_8205.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" alt=\"IMG_8208.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" alt=\"IMG_8236.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" alt=\"IMG_8228.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" alt=\"_MG_1341.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" alt=\"_MG_1306.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" alt=\"IMG_1338.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" alt=\"IMG_1349.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" alt=\"IMG_1334.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" alt=\"IMG_1328.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<\/div><div class=\"fusion-text fusion-text-10\"><p><strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" alt=\"IMG_8182.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" alt=\"IMG_8264.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" alt=\"IMG_8205.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" alt=\"IMG_8208.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" alt=\"IMG_8236.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" alt=\"IMG_8228.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" alt=\"_MG_1341.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" alt=\"_MG_1306.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" alt=\"IMG_1338.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" alt=\"IMG_1349.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" alt=\"IMG_1334.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" alt=\"IMG_1328.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<\/div><div class=\"fusion-text fusion-text-11\"><p><strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" alt=\"IMG_8182.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" alt=\"IMG_8264.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" alt=\"IMG_8205.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" alt=\"IMG_8208.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" alt=\"IMG_8236.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" alt=\"IMG_8228.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" alt=\"_MG_1341.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" alt=\"_MG_1306.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" alt=\"IMG_1338.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" alt=\"IMG_1349.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" alt=\"IMG_1334.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" alt=\"IMG_1328.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<\/div><strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info[\/fusion_builder_column]<div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column fusion-flex-align-self-flex-start fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-margin-bottom-large:0px;--awb-width-medium:100%;--awb-width-small:100%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\">[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" alt=\"IMG_8182.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" alt=\"IMG_8264.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" alt=\"IMG_8205.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" alt=\"IMG_8208.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" alt=\"IMG_8236.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" alt=\"IMG_8228.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" alt=\"_MG_1341.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" alt=\"_MG_1306.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" alt=\"IMG_1338.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" alt=\"IMG_1349.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" alt=\"IMG_1334.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" alt=\"IMG_1328.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a>[\/fusion_text]<div class=\"fusion-text fusion-text-12\"><p><strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" alt=\"IMG_8182.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" alt=\"IMG_8264.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" alt=\"IMG_8205.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" alt=\"IMG_8208.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" alt=\"IMG_8236.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" alt=\"IMG_8228.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" alt=\"_MG_1341.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" alt=\"_MG_1306.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" alt=\"IMG_1338.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" alt=\"IMG_1349.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" alt=\"IMG_1334.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" alt=\"IMG_1328.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<\/div><div class=\"fusion-text fusion-text-13\"><p><strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" alt=\"IMG_8182.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" alt=\"IMG_8264.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" alt=\"IMG_8205.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" alt=\"IMG_8208.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" alt=\"IMG_8236.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" alt=\"IMG_8228.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" alt=\"_MG_1341.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" alt=\"_MG_1306.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" alt=\"IMG_1338.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" alt=\"IMG_1349.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" alt=\"IMG_1334.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" alt=\"IMG_1328.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<\/div><div class=\"fusion-text fusion-text-14\"><p><strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" alt=\"IMG_8182.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" alt=\"IMG_8264.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" alt=\"IMG_8205.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" alt=\"IMG_8208.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" alt=\"IMG_8236.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" alt=\"IMG_8228.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" alt=\"_MG_1341.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" alt=\"_MG_1306.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" alt=\"IMG_1338.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" alt=\"IMG_1349.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" alt=\"IMG_1334.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" alt=\"IMG_1328.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<\/div><div class=\"fusion-text fusion-text-15\"><p><strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" alt=\"IMG_8182.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" alt=\"IMG_8264.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" alt=\"IMG_8205.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" alt=\"IMG_8208.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" alt=\"IMG_8236.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" alt=\"IMG_8228.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" alt=\"_MG_1341.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" alt=\"_MG_1306.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" alt=\"IMG_1338.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" alt=\"IMG_1349.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" alt=\"IMG_1334.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" alt=\"IMG_1328.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<\/div><div class=\"fusion-text fusion-text-16\"><p><strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" alt=\"IMG_8182.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" alt=\"IMG_8264.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" alt=\"IMG_8205.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" alt=\"IMG_8208.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" alt=\"IMG_8236.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" alt=\"IMG_8228.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" alt=\"_MG_1341.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" alt=\"_MG_1306.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" alt=\"IMG_1338.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" alt=\"IMG_1349.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" alt=\"IMG_1334.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" alt=\"IMG_1328.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<\/div><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row\"><\/div><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-1 fusion_builder_column_inner_2_5 2_5 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:40%;--awb-margin-top-large:0px;--awb-margin-bottom-large:20px;--awb-width-medium:100%;--awb-width-small:100%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><\/div><\/div><strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info<\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-flex-column fusion-flex-align-self-flex-start fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-margin-bottom-large:0px;--awb-width-medium:100%;--awb-width-small:100%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\">[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" alt=\"IMG_8182.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" alt=\"IMG_8264.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" alt=\"IMG_8205.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" alt=\"IMG_8208.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" alt=\"IMG_8236.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" alt=\"IMG_8228.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" alt=\"_MG_1341.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" alt=\"_MG_1306.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" alt=\"IMG_1338.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" alt=\"IMG_1349.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" alt=\"IMG_1334.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" alt=\"IMG_1328.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a>[\/fusion_text]<div class=\"fusion-text fusion-text-17\"><p><strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" alt=\"IMG_8182.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" alt=\"IMG_8264.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" alt=\"IMG_8205.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" alt=\"IMG_8208.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" alt=\"IMG_8236.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" alt=\"IMG_8228.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" alt=\"_MG_1341.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" alt=\"_MG_1306.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" alt=\"IMG_1338.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" alt=\"IMG_1349.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" alt=\"IMG_1334.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" alt=\"IMG_1328.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<\/div><div class=\"fusion-text fusion-text-18\"><p><strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" alt=\"IMG_8182.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" alt=\"IMG_8264.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" alt=\"IMG_8205.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" alt=\"IMG_8208.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" alt=\"IMG_8236.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" alt=\"IMG_8228.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" alt=\"_MG_1341.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" alt=\"_MG_1306.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" alt=\"IMG_1338.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" alt=\"IMG_1349.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" alt=\"IMG_1334.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" alt=\"IMG_1328.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<\/div><strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" alt=\"IMG_8182.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" alt=\"IMG_8264.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" alt=\"IMG_8205.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" alt=\"IMG_8208.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" alt=\"IMG_8236.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" alt=\"IMG_8228.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" alt=\"_MG_1341.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" alt=\"_MG_1306.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" alt=\"IMG_1338.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" alt=\"IMG_1349.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" alt=\"IMG_1334.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" alt=\"IMG_1328.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a>[\/fusion_text]<div class=\"fusion-text fusion-text-19\"><p><strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" alt=\"IMG_8182.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" alt=\"IMG_8264.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" alt=\"IMG_8205.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" alt=\"IMG_8208.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" alt=\"IMG_8236.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" alt=\"IMG_8228.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" alt=\"_MG_1341.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" alt=\"_MG_1306.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" alt=\"IMG_1338.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" alt=\"IMG_1349.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" alt=\"IMG_1334.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" alt=\"IMG_1328.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<\/div><strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" alt=\"IMG_8182.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" alt=\"IMG_8264.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" alt=\"IMG_8205.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" alt=\"IMG_8208.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" alt=\"IMG_8236.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" alt=\"IMG_8228.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" alt=\"_MG_1341.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" alt=\"_MG_1306.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" alt=\"IMG_1338.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" alt=\"IMG_1349.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" alt=\"IMG_1334.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" alt=\"IMG_1328.JPG\" width=\"240\" height=\"160\" border=\"0\" \/><\/a>[\/fusion_text]<strong>Laborat\u00f3rio de Som Territorial<br \/>\n<\/strong><\/p>\n<p>Um workshop \/ laborat\u00f3rio dirigido por:<\/p>\n<p>Luis Costa (PT)<\/p>\n<p><strong>OBJECTIVOS<\/strong><\/p>\n<p>No nosso mundo moderno hiper-visual, onde somos constantemente bombardeados por informa\u00e7\u00e3o visual &#8211; televis\u00e3o, publicidade, etc. &#8211; esquecemo-nos frequentemente de como ouvir. Os participantes no workshop ser\u00e3o guiados a \u201cre-sintonizar\u201d os seus ouvidos para dirigir a aten\u00e7\u00e3o ao mundo sonoro extremamente rico que os rodeia, a escutar activamente e de forma imaginativa, e n\u00e3o apenas a ouvir passivamente. Eles ir\u00e3o depois usar os seus ouvidos e novas ferramentas tecnol\u00f3gicas para criar uma composi\u00e7\u00e3o sonora usando o mundo envolvente como instrumento.<\/p>\n<p>O laborat\u00f3rio oferece uma introdu\u00e7\u00e3o a:<\/p>\n<ul>\n<li>M\u00e9todos para dirigir o ouvido \u00e0 percep\u00e7\u00e3o detalhada do som<\/li>\n<li>O uso do som para investigar as qualidades do espa\u00e7o circundante e a nossa perspectiva do mesmo<\/li>\n<li>M\u00e9todos e ferramentas para gravar sons do ambiente<\/li>\n<li>Processos para organizar e criar uma biblioteca de sons<\/li>\n<li>Perspectiva hist\u00f3rica da arte sonora e do uso de grava\u00e7\u00f5es de campo no contexto musical<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e de teoria de composi\u00e7\u00e3o musical<\/li>\n<li>Abordagens pr\u00e1ticas \u00e0 composi\u00e7\u00e3o musical com grava\u00e7\u00f5es de campo<\/li>\n<\/ul>\n<p>O laborat\u00f3rio ser\u00e1 conduzido por dois artistas especializados na v\u00e1rias \u00e1reas em jogo (grava\u00e7\u00e3o de sons, processamento digital de \u00e1udio e composi\u00e7\u00e3o musical por computador) e prop\u00f5e uma abordagem de aplica\u00e7\u00e3o pr\u00e1tica imediata dos conceitos e ferramentas, atrav\u00e9s do desenvolvimento de um projecto final que incluir\u00e1 contribui\u00e7\u00f5es de todos os participantes.<\/p>\n<p><strong>P\u00daBLICO ALVO<\/strong><\/p>\n<p>Qualquer pessoa interessada em arte sonora e, genericamente, na pr\u00e1tica art\u00edstica experimental.<\/p>\n<p><strong>ESTRUTURA<\/strong><\/p>\n<p><strong>1a Fase: Introdu\u00e7\u00e3o ao Som<\/strong><\/p>\n<ul>\n<li>Breve resenha hist\u00f3rica da \u201cm\u00fasica concreta\u201d e arte sonora e exemplos de artistas contempor\u00e2neos que trabalham com grava\u00e7\u00f5es de campo (\u201cfonografistas\u201d)<\/li>\n<li>Princ\u00edpios b\u00e1sicos de ac\u00fastica e da teoria da composi\u00e7\u00e3o musical<\/li>\n<li>Introdu\u00e7\u00e3o ao conceito de \u201cpaisagem sonora\u201d<\/li>\n<\/ul>\n<p><strong>2a Fase: Re-sintonizar os ouvidos<\/strong><\/p>\n<ul>\n<li>Desenvolvimento e alargamento da consci\u00eancia para o espa\u00e7o envolvente usando t\u00e9cnicas de concentra\u00e7\u00e3o e relaxamento<\/li>\n<li>Escuta activa dos sons do meio ambiente e discuss\u00e3o das suas caracter\u00edsticas ac\u00fasticas<\/li>\n<li>Cria\u00e7\u00e3o de uma lista de sons a gravar<\/li>\n<\/ul>\n<p><strong>3a Fase: Grava\u00e7\u00e3o de sons do ambiente<\/strong><\/p>\n<ul>\n<li>Introdu\u00e7\u00e3o ao equipamento de grava\u00e7\u00e3o sonora. O papel de distintos tipos de microfones em diferentes cen\u00e1rios de captura sonora<\/li>\n<li>Exerc\u00edcios de grava\u00e7\u00e3o de sons ambientais<\/li>\n<li>Introdu\u00e7\u00e3o ao programa de edi\u00e7\u00e3o sonora Audacity e \u00e0 sua aplica\u00e7\u00e3o na p\u00f3s-produ\u00e7\u00e3o de sons gravados.<\/li>\n<li>Breve introdu\u00e7\u00e3o \u00e0s t\u00e9cnicas de processamento de \u00e1udio digital e ao seu uso na manipula\u00e7\u00e3o dos sons gravados<\/li>\n<li>Discuss\u00e3o em grupo, selec\u00e7\u00e3o e edi\u00e7\u00e3o dos sons a serem usados na composi\u00e7\u00e3o final<\/li>\n<\/ul>\n<p><strong>4a Fase: Composi\u00e7\u00e3o sonora com grava\u00e7\u00f5es de campo <\/strong><\/p>\n<p>Os participantes desenvolver\u00e3o no \u00faltimo dia do laborat\u00f3rio um breve projecto sonoro colaborativo, com utiliza\u00e7\u00e3o das v\u00e1rias no\u00e7\u00f5es e t\u00e9cnicas referidas nos m\u00f3dulos anteriores. A pe\u00e7a sonora final ser\u00e1 objecto de apresenta\u00e7\u00e3o e, na sua sequ\u00eancia, efectuar-se-\u00e1 uma reflex\u00e3o conjunta sobre os resultados alcan\u00e7ados e sobre as possibilidades adicionais a explorar.<\/p>\n<p><strong> DURA\u00c7\u00c3O E LOCALIZA\u00c7\u00c3O<\/strong><\/p>\n<p>2 Dias a tempo inteiro (8 horas di\u00e1rias) ou 4 Dias a tempo parcial (4 horas di\u00e1rias) em datas e locais a anunciar oportunamente.<\/p>\n<p><strong>REQUISITOS<\/strong><\/p>\n<p>\u00c9 recomend\u00e1vel que aqueles que utilizam softwares de edi\u00e7\u00e3o sonora ou de mistura multi-pista (Cool Edit Pro, Audacity, Logic Audio, Ableton Live, Pro Tools, etc.) possam trazer os seus computadores port\u00e1teis. De qualquer forma, o m\u00f3dulo de edi\u00e7\u00e3o sonora do workshop ser\u00e1 essencialmente feito com recurso ao software freeware Audacity.<\/p>\n<p><strong>CANDIDATURAS<\/strong><\/p>\n<p>Enviar um email par info[at]binauralmedia.org, com indica\u00e7\u00e3o do nome, morada, idade, email, URL, biografia resumida e motiva\u00e7\u00f5es para a presen\u00e7a no laborat\u00f3rio.<\/p>\n<p>Ser\u00e3o organizados laborat\u00f3rios em fun\u00e7\u00e3o do n\u00famero de candidaturas recebidas para a mesma zona geogr\u00e1fica.<\/p>\n<p><strong>Algumas fotos e video de workshops anteriores:<\/strong><\/p>\n<p><strong>Vimioso, Portugal (Maio 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862964404\/img_8182jpg.html\"><img class=\"lazyload\" decoding=\"async\" alt=\"IMG_8182.JPG\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/db754964f97cfed8fe1a335d76f64ed61.jpg\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862113843\/img_8264jpg.html\"><img class=\"lazyload\" decoding=\"async\" alt=\"IMG_8264.JPG\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/efa580c53684579d469f53017b2d416c1.jpg\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862130979\/img_8205jpg.html\"><img class=\"lazyload\" decoding=\"async\" alt=\"IMG_8205.JPG\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/b97c9bd4c2cda00f1a7f8fd04bd3d3de1.jpg\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862958556\/img_8208jpg.html\"><img class=\"lazyload\" decoding=\"async\" alt=\"IMG_8208.JPG\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/3fe3e88cc0fa7a9e73045908349e49141.jpg\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862117963\/img_8236jpg.html\"><img class=\"lazyload\" decoding=\"async\" alt=\"IMG_8236.JPG\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/54cfd556f426a5fa9aa743f9c62881cc1.jpg\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2862953230\/img_8228jpg.html\"><img class=\"lazyload\" decoding=\"async\" alt=\"IMG_8228.JPG\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/812055cf48e6e6eedb0193637ec6e9631.jpg\" width=\"240\" height=\"160\" border=\"0\" \/><\/a><\/p>\n<p><strong>Nodar, Portugal (Agosto 2008):<\/strong><\/p>\n<p><a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785819059\/_mg_1341jpg.html\"><img class=\"lazyload\" decoding=\"async\" alt=\"_MG_1341.JPG\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/0ef90ff134270ceea83c4407e7b9b6261.jpg\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785796399\/_mg_1306jpg.html\"><img class=\"lazyload\" decoding=\"async\" alt=\"_MG_1306.JPG\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/1c052f4e33debfb91092aebda21680971.jpg\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785706625\/img_1338jpg.html\"><img class=\"lazyload\" decoding=\"async\" alt=\"IMG_1338.JPG\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/cce67885e5e19bc2e4cedd727f8cd3591.jpg\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785713233\/img_1349jpg.html\"><img class=\"lazyload\" decoding=\"async\" alt=\"IMG_1349.JPG\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/d79a2265a6c54cd7998fa23708a15d481.jpg\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2786552480\/img_1334jpg.html\"><img class=\"lazyload\" decoding=\"async\" alt=\"IMG_1334.JPG\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/dd3836f44b9d5bfc7789cce9e369f4781.jpg\" width=\"240\" height=\"160\" border=\"0\" \/><\/a> <a href=\"http:\/\/www.binauralmedia.org\/news\/\/news\/photos\/photo\/2785682819\/img_1328jpg.html\"><img class=\"lazyload\" decoding=\"async\" alt=\"IMG_1328.JPG\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27240%27%20height%3D%27160%27%20viewBox%3D%270%200%20240%20160%27%3E%3Crect%20width%3D%27240%27%20height%3D%27160%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/90b366da205065f79e0e5ae4e59442c41.jpg\" width=\"240\" height=\"160\" border=\"0\" \/><\/a>[:]<\/div><\/div>[\/fusion_builder_row][\/fusion_builder_container]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Laborat\u00f3rio de Som Territorial Um workshop \/ laborat\u00f3rio dirigido por:  [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":1137,"menu_order":70,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"portfolio_category":[619],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-91","avada_portfolio","type-avada_portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-educational-programme"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.1.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"Laborat\u00f3rio de Som Territorial Um workshop \/ laborat\u00f3rio dirigido por: Luis Costa (PT) OBJECTIVOS No nosso mundo moderno hiper-visual, onde somos constantemente 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