{"id":23016,"date":"2016-11-30T16:39:16","date_gmt":"2016-11-30T16:39:16","guid":{"rendered":"https:\/\/www.binauralmedia.org\/news?post_type=avada_portfolio&#038;p=23016"},"modified":"2025-02-21T15:07:20","modified_gmt":"2025-02-21T15:07:20","slug":"nodar-024","status":"publish","type":"avada_portfolio","link":"https:\/\/www.binauralmedia.org\/news\/arquivo\/portfolio-items\/nodar-024","title":{"rendered":"Viseu Rural 2.0: Sonic Explorations of a Rural Archive"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-aspect-ratio:5 \/ 4;--awb-margin-bottom:3%;--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none has-aspect-ratio\"><img decoding=\"async\" width=\"450\" height=\"300\" title=\"Viseu Rural 2.0 &#8211; Sonic Exploration of a rural\" src=\"https:\/\/www.binauralmedia.org\/news\/wp-content\/uploads\/Viseu-Rural-2.0-Sonic-Exploration-of-a-rural.png\" data-orig-src=\"https:\/\/www.binauralmedia.org\/news\/wp-content\/uploads\/Viseu-Rural-2.0-Sonic-Exploration-of-a-rural-450x300.png\" class=\"lazyload img-responsive wp-image-22993 img-with-aspect-ratio\" data-parent-fit=\"cover\" data-parent-container=\".fusion-image-element\" alt srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%27800%27%20viewBox%3D%270%200%201200%20800%27%3E%3Crect%20width%3D%271200%27%20height%3D%27800%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.binauralmedia.org\/news\/wp-content\/uploads\/Viseu-Rural-2.0-Sonic-Exploration-of-a-rural-200x133.png 200w, https:\/\/www.binauralmedia.org\/news\/wp-content\/uploads\/Viseu-Rural-2.0-Sonic-Exploration-of-a-rural-400x267.png 400w, https:\/\/www.binauralmedia.org\/news\/wp-content\/uploads\/Viseu-Rural-2.0-Sonic-Exploration-of-a-rural-600x400.png 600w, https:\/\/www.binauralmedia.org\/news\/wp-content\/uploads\/Viseu-Rural-2.0-Sonic-Exploration-of-a-rural-800x533.png 800w, https:\/\/www.binauralmedia.org\/news\/wp-content\/uploads\/Viseu-Rural-2.0-Sonic-Exploration-of-a-rural.png 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 1024px) 100vw, (max-width: 640px) 100vw, 450px\" \/><\/span><\/div><div class=\"fusion-text fusion-text-1\"><p>Author: Rui Costa<br \/>\nCatalog Number: Edi\u00e7\u00f5es Nodar, nodar.024<\/p>\n<p>Este concurso internacional convidou m\u00fasicos\/compositores electroac\u00fasticos e artistas sonoros de todo o mundo a produzir obras sonoras a partir do arquivo Viseu Rural 2.0, que est\u00e1 a ser recolhido e arquivado pela Binaural\/Nodar com grava\u00e7\u00f5es de contextos rurais do Concelho de Viseu (Viseu D\u00e3o Laf\u00f5es, Portugal), criando assim um sentido de explora\u00e7\u00e3o e difus\u00e3o muito para al\u00e9m das fronteiras do local espec\u00edfico das grava\u00e7\u00f5es.<\/p>\n<p>Artistas de todo o mundo selecionaram livremente ficheiros sonoros do arquivo para criar obras sonoras inspiradas no contexto rural de Viseu, que foram submetidas at\u00e9 30 de setembro de 2016 e posteriormente avaliadas pelo painel de sele\u00e7\u00e3o, composto pela dire\u00e7\u00e3o da Binaural\/Nodar e especialistas associados.<\/p>\n<p>Dos mais de 100 trabalhos recebidos, o j\u00fari selecionou oficialmente 39 pe\u00e7as sonoras, as que se apresentam nesta publica\u00e7\u00e3o, que foram todas consideradas de elevada qualidade art\u00edstica.<\/p>\n<p>Os pr\u00e9mios atribu\u00eddos foram os seguintes:<\/p>\n<p>1\u00ba Pr\u00e9mio: Jeff Morris (Sobre a Eletrodin\u00e2mica dos Corpos de Trabalho)<br \/>\n2\u00ba Pr\u00e9mio: Helene Hedsund (Pastoral)<br \/>\n3\u00ba Pr\u00e9mio: Nikos Stavropoulos (Portrait V)<\/p>\n<p>Pr\u00e9mios do J\u00fari:<\/p>\n<p>Bo\u0161tjan Perov\u0161ek (Rails Past the Birds)<br \/>\nDiego Behncke ([-inf] -90.30900 -90.30900 [-inf] -80.76657 -84.28840)<br \/>\nElsa Justel (Estampes de Viseu)<br \/>\nFabi\u00e1n Avila Elizalde (Quebranto)<br \/>\nJonathan Higgins (Disinter)<br \/>\nLuigi Morleo (Sobre o Terror Ocidental)<br \/>\nNUM (I Am Walking In The Woods Of Magic)<br \/>\nMen\u00e7\u00f5es honrosas:<br \/>\nAdam Hulbert (Studies in Xbduction)<br \/>\nBella (Ementa das Almas)<br \/>\nDeovides A. Reyes III (Fen\u00f3meno de Superposi\u00e7\u00e3o)<br \/>\nFabrizio Gaggini (Uma Noite no Comboio)<br \/>\nJohn Tenney (Sobre Viseu)<br \/>\nMassimo Avantaggiato (Azul)<br \/>\nSturqen (Fabrica\u00e7\u00e3o)<br \/>\nMoody Alien (Um Dia nos Campos)<br \/>\nVedran Mehinovic (Dimens\u00f5es em Viseu)<br \/>\nVirg\u00edlio Oliviera (Terra e F\u00e9)<\/p>\n<p><iframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/279777035&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<div style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"><a style=\"color: #cccccc; text-decoration: none;\" title=\"binauralmedia\" href=\"https:\/\/soundcloud.com\/binauralmedia\" target=\"_blank\" rel=\"noopener\">binauralmedia<\/a> \u00b7 <a style=\"color: #cccccc; text-decoration: none;\" title=\"Viseu Rural 2.0: Sonic Explorations of a Rural Archive\" href=\"https:\/\/soundcloud.com\/binauralmedia\/sets\/sonic-explorations-of-a-rural-archive\" target=\"_blank\" rel=\"noopener\">Viseu Rural 2.0: Sonic Explorations of a Rural Archive<\/a><\/div>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":8,"featured_media":22994,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"audio","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"portfolio_category":[620],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-23016","avada_portfolio","type-avada_portfolio","status-publish","format-audio","has-post-thumbnail","hentry","portfolio_category-publications"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/avada_portfolio\/23016","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/comments?post=23016"}],"version-history":[{"count":4,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/avada_portfolio\/23016\/revisions"}],"predecessor-version":[{"id":23340,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/avada_portfolio\/23016\/revisions\/23340"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/media\/22994"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/media?parent=23016"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/portfolio_category?post=23016"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/portfolio_skills?post=23016"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/portfolio_tags?post=23016"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}