{"id":22494,"date":"2024-11-15T15:36:45","date_gmt":"2024-11-15T15:36:45","guid":{"rendered":"https:\/\/www.binauralmedia.org\/news?post_type=avada_portfolio&#038;p=22494"},"modified":"2025-01-06T14:36:40","modified_gmt":"2025-01-06T14:36:40","slug":"sara-vieira-marques-e-santiago-tricot","status":"publish","type":"avada_portfolio","link":"https:\/\/www.binauralmedia.org\/news\/arquivo\/portfolio-items\/sara-vieira-marques-e-santiago-tricot","title":{"rendered":"Sara Vieira Marques e Santiago Tricot"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p>[finis\u02c8t\u025brra] \u00e9 a mitologia de um lugar que evoca o fim do mundo. \u00c9 tamb\u00e9m o nome deste projecto de investiga\u00e7\u00e3o, que usa a escuta como ferramenta para imaginar o que existir\u00e1 para l\u00e1 desse fim. Acreditando em futuros de narrativas inclusivas, onde o humano n\u00e3o ocupa a narrativa central, e atrav\u00e9s de uma abordagem especulativa e interdisciplinar, [finis\u02c8t\u025brra] Pr\u00e1ticas e Teorias para um Fim de Mundo convoca pr\u00e1ticas e teorias para enunciar poss\u00edveis &#8220;futuros do futuro\u201d.<\/p>\n<p>Ficha t\u00e9cnica e art\u00edstica<br \/>\nDirec\u00e7\u00e3o Art\u00edstica, Investiga\u00e7\u00e3o e Performance | Sara Vieira Marques<br \/>\nAcompanhamento Art\u00edstico | Nuno Preto e Santiago Rodriguez Tricot<br \/>\nConcep\u00e7\u00e3o de dispositivos instalativos | Sara Vieira Marques e Santiago Rodriguez Tricot<br \/>\nConstru\u00e7\u00e3o de objecto | Carlos Neves<br \/>\n\u2018Grupo Explorat\u00f3rio de Pr\u00e1ticas Sonoras\u2019 study group | Jo\u00e3o Grilo; \u00c1ngela D\u00edaz Quintela; In\u00eas Luzio; Santiago Rodriguez Tricot e Irina Pereira<br \/>\nCo-produ\u00e7\u00e3o | Bolsa \u201cArtistas Douro\u201d, atribu\u00edda pela mala voadora, com financiamento da C\u00e2mara Municipal do Porto<br \/>\nApoio \u00e0 Investiga\u00e7\u00e3o Art\u00edstica | \u201cReclamar Tempo 2024\u201d CAMPUS Paulo Cunha e Silva<br \/>\nApoio \u00e0 Cria\u00e7\u00e3o em Resid\u00eancia | fAUNA &#8211; Teatro da Didasc\u00e1lia (Joane-PT); Artists\u2019Shelter &#8211; Sekoia (Porto-PT); ApalleirA (Sarria-ES); Gnration (Braga-PT); CRL &#8211; Central El\u00e9trica (Porto-PT); Binaural Nodar (Vouzela-PT); O Espa\u00e7o do Tempo (Montemor-o-Novo-PT).<\/p>\n<\/div><div class=\"fusion-text fusion-text-2\"><p>Sara Vieira Marques<br \/>\n(Lisboa, 1992)<\/p>\n<div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\">\n<div dir=\"auto\">\n<p>Artista interdisciplinar, vive e trabalha a partir do Porto. A sua pr\u00e1tica art\u00edstica, de car\u00e1cter expandido, articula instala\u00e7\u00e3o c\u00e9nica, performance e investiga\u00e7\u00e3o em v\u00e1rios projectos entre as Artes Performativas e Visuais, explorando as rela\u00e7\u00f5es materiais do espa\u00e7o-tempo para gerar ambientes e situa\u00e7\u00f5es que permitam outras formas de relacionamento entre corpos humanos, n\u00e3o-humanos e mais-que-humanos. Licenciada em Produ\u00e7\u00e3o e Design &#8211; Cenografia pela ESMAE (IPP Porto) e Mestre em Antropologia &#8211; Culturas Visuais (FCSH\/NOVA, Lisboa) com investiga\u00e7\u00e3o sobre a ag\u00eancia material e perspectivismos p\u00f3s-humanos. Participou ainda em PACAP#4 (Forum Dan\u00e7a, Lisboa-PT), onde desenvolveu trabalho acompanhada por Chrysa Parkinson, Christine de Smedt, Eszter Salamon, Jo\u00e3o Fiadeiro, Moriah Evens, Paula Casp\u00e3o e Xavier Le Roy. Dos seus projectos destaca: AURORA (Espa\u00e7o Alkantara, 2020) &#8211; uma performance que explora as rela\u00e7\u00f5es coreogr\u00e1ficas entre a arquitectura, o som e a geologia; OSSU (Pegada, 2020) &#8211; um di\u00e1rio etnogr\u00e1fico performativo; HEADLESSMEN (FCSH\/Doclisboa, 2021) &#8211; um filme documental sobre ecologias materiais e sonoras; e RESONATING ISLANDS_A SONOROUS ARCHIPELAGO (Arquip\u00e9lago CAC, 2023).<\/p>\n<\/div>\n<\/div>\n<div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\">\n<div dir=\"auto\">\n<p>Santiago Rodriguez Tricot<br \/>\n(Montevideo, 1986)<\/p>\n<\/div>\n<\/div>\n<div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\">\n<div dir=\"auto\">Artista visual e desenhador c\u00e9nico uruguaio, radicado no Porto. Explora performativamente as linguagens da luz, do espa\u00e7o e da mat\u00e9ria atrav\u00e9s de processos de cria\u00e7\u00e3o colaborativa em m\u00fasica e artes vivas. Foi bolseiro FEFCA (UI), contexto a partir do qual desenvolveu MOCHILA DE PIEDRA. Co-criador e m\u00fasico no projecto de m\u00fasica electr\u00f3nica MUX. Junto a Leticia Skrycky, Juan Ru\u00e9talo, Erika del Pino e Fabrizio Rossi, \u00e9 co-criador do projecto HORMIGONERA: uma pr\u00e1tica performativa sobre produ\u00e7\u00e3o c\u00e9nica e processos dramat\u00fargicos, atrav\u00e9s do espa\u00e7o, da mat\u00e9ria, da luz e do som. O projecto de investiga\u00e7\u00e3o art\u00edstica que leva com Sara Vieira Marques, RESONATING ISLANDS_A SONOROUS ARCHIPELAGO foi apoiado pela Funda\u00e7\u00e3o Calouste Gulbenkian. Como desenhador e criador, colabora e\/ou colaborou em projectos de: Tamara Cubas, Santiago Turenne, Juan Dom\u00ednguez Rojo, Marcela Levi &amp; Lucia Russo, Vera Garat, Yann Marussich. Faz a coordena\u00e7\u00e3o t\u00e9cnica de FIDCU &#8211; Festival Internacional de Dan\u00e7a Contempor\u00e2nea do Uruguai e de NIDO &#8211; Encontro Internacional de Artes Vivas (UI).<\/div>\n<\/div>\n<\/div><div class=\"fusion-title title fusion-title-1 fusion-title-center fusion-title-text fusion-title-size-one\"><div class=\"title-sep-container title-sep-container-left\"><div class=\"title-sep sep-double sep-solid\" style=\"border-color:#e0dede;\"><\/div><\/div><span class=\"awb-title-spacer\"><\/span><h1 class=\"fusion-title-heading title-heading-center\" style=\"margin:0;\"><h3 style=\"text-align: center;\">OBRAS ART\u00cdSTICAS<\/h3><\/h1><span class=\"awb-title-spacer\"><\/span><div class=\"title-sep-container title-sep-container-right\"><div class=\"title-sep sep-double sep-solid\" style=\"border-color:#e0dede;\"><\/div><\/div><\/div><div class=\"fusion-video fusion-vimeo\" style=\"--awb-max-width:600px;--awb-max-height:360px;--awb-align-self:center;--awb-width:100%;\"><div class=\"video-shortcode\"><div class=\"fluid-width-video-wrapper\" style=\"padding-top:60%;\" ><iframe title=\"Vimeo video player 1\" src=\"https:\/\/player.vimeo.com\/video\/1040714730?autoplay=0&amp;autopause=0\" width=\"600\" height=\"360\" allowfullscreen allow=\"autoplay; fullscreen\"><\/iframe><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":13,"featured_media":22495,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"video","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"portfolio_category":[1329,1229,1155,1145],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-22494","avada_portfolio","type-avada_portfolio","status-publish","format-video","has-post-thumbnail","hentry","portfolio_category-1329","portfolio_category-artistas","portfolio_category-activities","portfolio_category-artist-residencies"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/avada_portfolio\/22494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/comments?post=22494"}],"version-history":[{"count":5,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/avada_portfolio\/22494\/revisions"}],"predecessor-version":[{"id":22822,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/avada_portfolio\/22494\/revisions\/22822"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/media\/22495"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/media?parent=22494"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/portfolio_category?post=22494"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/portfolio_skills?post=22494"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/portfolio_tags?post=22494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}