{"id":18149,"date":"2023-06-16T10:11:45","date_gmt":"2023-06-16T10:11:45","guid":{"rendered":"https:\/\/www.binauralmedia.org\/news?post_type=avada_portfolio&#038;p=18149"},"modified":"2023-07-04T09:31:39","modified_gmt":"2023-07-04T09:31:39","slug":"xesus-valle","status":"publish","type":"avada_portfolio","link":"https:\/\/www.binauralmedia.org\/news\/arquivo\/portfolio-items\/xesus-valle","title":{"rendered":"Xes\u00fas Valle"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><div>\n<p><strong>Dialogos tactiles<\/strong><\/p>\n<p>O projecto que apresento baseia-se fundamentalmente na interac\u00e7\u00e3o do artista com o meio de Nodar, para al\u00e9m do registo de campo, no qual o papel do artista \u00e9 apenas o de um mero espectador.<\/p>\n<\/div>\n<div>\n<p>Neste caso procurei desenvolver um conjunto de \u201cdi\u00e1logos com o meio\u201d e n\u00e3o apenas \u201cno meio\u201d, registando,por um lado, as sonoridades que resultaram do contacto f\u00edsico (percussivo) com diferentes tipo de vegeta\u00e7\u00e3o (\u00e1rvores, arbustos, plantas) e de solo (terra, pedras, \u00e1gua),adicionalmente tomando como intermedi\u00e1rio outros elementos que n\u00e3o s\u00e3o do meio mas que est\u00e3o nele presentes (por exemplo,objectos deixados pelos habitantes locais).<\/p>\n<\/div>\n<div>\n<p>Constru\u00ed desta maneira ritmos e estruturas improvisadas (as que surgiram do referido encontro),que serviram como material de \u00e1udio para um processo digital posterior.<\/p>\n<\/div>\n<div>\n<p>Cada ac\u00e7\u00e3o surgiu por atrac\u00e7\u00e3o natural entre o olhar fotogr\u00e1fico e a textura de cada elemento do meio (que levei a cabo num primeiro reconhecimento visual e do qual se gerou um dossier fotogr\u00e1fico), tendo sempre em conta a capacidade de cada elemento para gerar som, para al\u00e9m da sua plasticidade.<\/p>\n<\/div>\n<div>\n<p>Uma vez realizadas as ac\u00e7\u00f5es sonoras com os elementos escolhidos,pretendi descontextualizar posteriormente o resultado, manipulando-o digitalmente para extrair a musicalidade desejada.<\/p>\n<\/div>\n<div>\n<p>Uma terceira parte do projecto foi formada por ac\u00e7\u00f5es v\u00eddeo baseadas nas ac\u00e7\u00f5es e grava\u00e7\u00f5es anteriores.<\/p>\n<\/div>\n<div>\n<p>Xes\u00fas Valle, natural de Vigo, \u00e9 um artista \u00e1udiovisual, percussionista, vocalista e Net DJ. Come\u00e7ou por estudar percurss\u00e3o e t\u00e9cnica vocal e formou parte de bandas e projectos pessoais desde finais dos anos 80.<\/p>\n<\/div>\n<div>\n<p>Desde 2002 que Xes\u00fas desenvolve os projectos \u00e1udio Plumbandplumber e Uveaele. Com plumbandplumber dedica-se a criar \u201ccolagens electroac\u00fasticas\u201d a partir de todo o tipo de fontes sonoras (discografia: \u201cCome early go late\u201d, \u201corganic feedback\u201d e \u201clive set alga \u00e1 superficie\u201d) e com Uveaele interv\u00e9m e manipula espa\u00e7os sonoros (discografia: \u201co forno das formulaci\u00f3ns\u201d). Parte da sua discografia est\u00e1 editada na \u201calg-a netlabel\u201d, da qual foi co-administrador.<\/p>\n<\/div>\n<div>\n<p>Xes\u00fas tem realizado desde 2002 diversas performances na Galiza e em Portugal (IFI\u2013Pontevedra,Salanasa\u2013Santiago de Compostela, Vademecum\u2013Vigo, Sinsalaudio\u2013Vigo, 2005 Brg\u2013Braga,etc.). \u00c8 um dos membros da OMEGA, orquestra de m\u00fasicos improvisadores da Galiza.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-2\"><p><strong>OBRAS ART\u00cdSTICAS<\/strong><\/p>\n<\/div><div class=\"fusion-video fusion-vimeo\" style=\"--awb-max-width:600px;--awb-max-height:360px;--awb-align-self:center;--awb-width:100%;\"><div class=\"video-shortcode\"><div class=\"fluid-width-video-wrapper\" style=\"padding-top:60%;\" ><iframe title=\"Vimeo video player 1\" src=\"https:\/\/player.vimeo.com\/video\/87217719?autoplay=0&amp;autopause=0\" width=\"600\" height=\"360\" allowfullscreen allow=\"autoplay; fullscreen\"><\/iframe><\/div><\/div><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:50px;margin-bottom:50px;width:100%;\"><div class=\"fusion-separator-border sep-double\" style=\"--awb-height:20px;--awb-amount:20px;border-color:#e0dede;border-top-width:1px;border-bottom-width:1px;\"><\/div><\/div><div class=\"fusion-soundcloud\"><iframe scrolling=\"no\" frameborder=\"no\" width=\"100%\" height=\"166\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https:\/\/soundcloud.com\/binauralmedia\/xesus-valle-tactile-processes&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;visual=false&amp;color=ff7700\" title=\"soundcloud\"><\/iframe><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":18150,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"portfolio_category":[1231,1229],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-18149","avada_portfolio","type-avada_portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-1231","portfolio_category-artistas"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/avada_portfolio\/18149","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/comments?post=18149"}],"version-history":[{"count":4,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/avada_portfolio\/18149\/revisions"}],"predecessor-version":[{"id":19310,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/avada_portfolio\/18149\/revisions\/19310"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/media\/18150"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/media?parent=18149"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/portfolio_category?post=18149"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/portfolio_skills?post=18149"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/portfolio_tags?post=18149"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}