{"id":1549,"date":"2010-11-23T18:56:59","date_gmt":"2010-11-23T17:56:59","guid":{"rendered":"http:\/\/www.binauralmedia.org\/news"},"modified":"2025-02-21T15:02:37","modified_gmt":"2025-02-21T15:02:37","slug":"nodar-002","status":"publish","type":"avada_portfolio","link":"https:\/\/www.binauralmedia.org\/news\/arquivo\/portfolio-items\/nodar-002","title":{"rendered":"Sonata for clarinet &#038; Nodar"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-aspect-ratio:5 \/ 4;--awb-margin-bottom:3%;--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none has-aspect-ratio\"><img decoding=\"async\" width=\"450\" height=\"300\" title=\"Sonata\" src=\"https:\/\/www.binauralmedia.org\/news\/wp-content\/uploads\/Sonata.png\" data-orig-src=\"https:\/\/www.binauralmedia.org\/news\/wp-content\/uploads\/Sonata-450x300.png\" class=\"lazyload img-responsive wp-image-22880 img-with-aspect-ratio\" data-parent-fit=\"cover\" data-parent-container=\".fusion-image-element\" alt srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%27800%27%20viewBox%3D%270%200%201200%20800%27%3E%3Crect%20width%3D%271200%27%20height%3D%27800%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.binauralmedia.org\/news\/wp-content\/uploads\/Sonata-200x133.png 200w, https:\/\/www.binauralmedia.org\/news\/wp-content\/uploads\/Sonata-400x267.png 400w, https:\/\/www.binauralmedia.org\/news\/wp-content\/uploads\/Sonata-600x400.png 600w, https:\/\/www.binauralmedia.org\/news\/wp-content\/uploads\/Sonata-800x533.png 800w, https:\/\/www.binauralmedia.org\/news\/wp-content\/uploads\/Sonata.png 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 1024px) 100vw, (max-width: 640px) 100vw, 450px\" \/><\/span><\/div><div class=\"fusion-text fusion-text-1\"><p>Autor: Jez riley French, Joana Silva e Lu\u00eds Costa<br \/>\nN\u00famero de Cat\u00e1logo: Edi\u00e7\u00f5es Nodar, nodar.002 e Engraved Glass, egcd.035<br \/>\nCD 10 Euros mais despesas de expedi\u00e7\u00e3o<\/p>\n<p>Uma composi\u00e7\u00e3o intuitiva criada por Jez riley French com Luis Costa (coordenador do Centro de Resid\u00eancias Art\u00edsticas de Nodar), a pr\u00f3pria paisagem de Nodar e a jovem clarinetista Joana Silva. Joana literalmente desconstr\u00f3i a obra \u2018Solo de Concours \u201c, composta em 1901 por Henri Rabaud, enquanto caminhava atrav\u00e9s da \u00e1gua, vento, cobras, c\u00e3es, moto-ro\u00e7adoras, e avi\u00f5es cruzando o c\u00e9u a caminho dos inc\u00eandios. Rabaud, um compositor que era rotulado de conservador, sendo conhecido pela express\u00e3o: \u201cA modernidade \u00e9 o inimigo\u201d a qual ganhou uma acuidade inesperada com a profus\u00e3o de novas sonoridades na paisagem ancestral de Nodar, durante a grava\u00e7\u00e3o da pe\u00e7a.<\/p>\n<p>Ap\u00f3s termos dado a Joana algumas ideias m\u00ednimas de como devia encarar a viagem atrav\u00e9s da paisagem e da m\u00fasica, nenhum de n\u00f3s esperava que ela iria gastar mais de duas horas caminhando lentamente e explorando pequenas partes da pe\u00e7a de Rabaud. \u00c9 a simplicidade da ideia para esta pe\u00e7a combinada com a abertura e foco de Joana que tornou o dia t\u00e3o memor\u00e1vel.<\/p>\n<p>Obrigado a Carina Martins e Jo\u00e3o Rodrigues por documentarem o dia.<\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Uma composi\u00e7\u00e3o intuitiva criada por Jez riley franc\u00eas com Luis Costa (coordenador do Centro de Resid\u00eancias Art\u00edsticas de Nodar), a pr\u00f3pria paisagem de Nodar e a jovem clarinetista Joana Silva. Joana literalmente desconstr\u00f3i a obra \u2018Solo de Concours \u201c, composta em 1901 por Henri Rabaud enquanto caminhava atrav\u00e9s da \u00e1gua, vento, cobras, c\u00e3es, moto-ro\u00e7adoras, e avi\u00f5es cruzando o c\u00e9u a caminho dos inc\u00eandios. <\/p>\n","protected":false},"author":2,"featured_media":22880,"menu_order":98,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"portfolio_category":[620],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-1549","avada_portfolio","type-avada_portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-publications"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/avada_portfolio\/1549","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/comments?post=1549"}],"version-history":[{"count":6,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/avada_portfolio\/1549\/revisions"}],"predecessor-version":[{"id":23337,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/avada_portfolio\/1549\/revisions\/23337"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/media\/22880"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/media?parent=1549"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/portfolio_category?post=1549"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/portfolio_skills?post=1549"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/wp-json\/wp\/v2\/portfolio_tags?post=1549"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}