{"id":23886,"date":"2025-06-17T11:23:19","date_gmt":"2025-06-17T11:23:19","guid":{"rendered":"https:\/\/www.binauralmedia.org\/news\/arquivo\/23886"},"modified":"2025-07-15T14:12:08","modified_gmt":"2025-07-15T14:12:08","slug":"teatro-da-agua-rural-um-projeto-de-teatro-comunitario","status":"publish","type":"post","link":"https:\/\/www.binauralmedia.org\/news\/en\/arquivo\/23886","title":{"rendered":"&#8220;Theatre of rural water&#8221; a community theatre project"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p>THEATRE OF RURAL WATER<br \/>\nA community theatre project<\/p>\n<p>Public performance:<br \/>\nCine-Teatro Jo\u00e3o Ribeiro (Vouzela, Portugal)<br \/>\nSunday, 22 June at 3:45 p.m.<\/p>\n<p>Theatre of Rural Water is a community theatre production developed between October 2024 and June 2025 with students from the Senior University of Vouzela. The script addresses the importance of water in rural villages, It was written based on stories and ethnographic knowledge shared among the group about places such as Figueiredo das Donas, Cambra, Pa\u00e7os de Vilharigues, etc., including aspects such as springs, trips to the fountain, dowsers who discovered water with a rod, the irrigation of corn fields, variations in the volume of water in certain years, etc.<\/p>\n<p>This project is part of the European Tramontana Network, a project co-financed by the Creative Europe Programme and running from 2024 to 2027, coordinated by the Binaural Nodar, in conjunction with 10 other partners from Spain, Italy, France, Albania, Romania and Poland. including local collaborations with the Municipality of Vouzela, the Vouzela Professional School and other entities.<\/p>\n<p>A co-production between the Municipality of Vouzela through the Senior University of Vouzela, the Cambra Cultural and Recreational Association and Binaural Nodar.<br \/>\nA project integrated into the European project Tramontana Network, co-financed by the Creative Europe programme of the European Union. <\/p>\n<p>Credits:<br \/>\nOriginal idea: Lu\u00eds Costa<br \/>\nScript: Gl\u00f3ria Gir\u00e3o and Lu\u00eds Costa<br \/>\nStage direction: Gl\u00f3ria Gir\u00e3o<br \/>\nActors and actresses:  Adelino Serrano, Clara Ladeira, In\u00eas Oliveira, Irene Bonfim, Maria Jos\u00e9 Fernandes, Maria Jos\u00e9 Varela, Maria Manuela Negr\u00e3o, Maria dos Prazeres Amaral, Maria Odete Serrano, Maria Teresa Rodrigues, Margarida Quintal, Virg\u00ednia Figueiredo<br \/>\nLive music: Grupo de Trajes e Cantares de Cambra and Grupo Bombos da Corte.<br \/>\nAudiovisuals: Ana Margarida Ferreira and Liliana Silva.<br \/>\nTechnical support: Juliana Gomes<\/p>\n<p>Binaural Nodar is a organization supported by the Portuguese Republic \u2013 Culture | Directorate-General for the Arts.<\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":8,"featured_media":23883,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[1184],"tags":[],"class_list":["post-23886","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-2"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/23886","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/comments?post=23886"}],"version-history":[{"count":2,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/23886\/revisions"}],"predecessor-version":[{"id":23939,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/23886\/revisions\/23939"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media\/23883"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media?parent=23886"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/categories?post=23886"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/tags?post=23886"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}