[finis\u02c8t\u025brra]
\nPractices and Theories for an End of the World
\nA creation by Sara Vieira Marques <\/p>\n
Artist Residency
\n11th to 15th November 2024
\nLaf\u00f5es Cult Lab (Vouzela)<\/p>\n
A co-production between Binaural Nodar and the Municipality of Vouzela.<\/p>\n
[finis\u02c8t\u025brra] is the mythology of a place that evokes the end of the world. It’s also the name of this research project, which uses listening as a tool to imagine what will exist beyond that end. Believing in futures of inclusive narratives, where the human does not occupy the central narrative, and through a speculative and interdisciplinary approach, [finis\u02c8t\u025brra] Practices and Theories for an End of the World summons practices and theories to enunciate possible \u201cfutures of the future\u201d. <\/p>\n
During their artist residency at the Laf\u00f5es Cult Lab in Vouzela, Sara Vieira Marques and Santiago Rodriguez Tricot will develop the practice \u201cUndoing Listening\u201d, a performative practice that proposes to undo and systematize listening in order to expand its possibilities. Using sound, acoustics and an installation device, the artists propose to explore the dramaturgical tensions and ambiguities between seeing and listening, believing them to be generators of the speculative potential of becoming.<\/p>\n
Artistic and technical data <\/p>\n
Artistic Direction, Research and Performance | Sara Vieira Marques
\nArtistic Accompaniment | Nuno Preto and Santiago Rodriguez Tricot
\nDesign of installation devices | Sara Vieira Marques and Santiago Rodriguez Tricot
\nObject construction | Carlos Neves
\n‘Grupo Explorat\u00f3rio de Pr\u00e1ticas Sonoras’ study group | Jo\u00e3o Grilo; \u00c1ngela D\u00edaz Quintela; In\u00eas Luzio; Santiago Rodriguez Tricot and Irina Pereira
\nCo-production | \u201cArtistas Douro\u201d grant, awarded by mala voadora, with funding from Porto City Council
\nSupport for Artistic Research | \u201cReclamar Tempo 2024\u201d CAMPUS Paulo Cunha e Silva
\nSupport for Creation in Residence | fAUNA – Teatro da Didasc\u00e1lia (Joane-PT); Artists’Shelter – Sekoia (Porto-PT); ApalleirA (Sarria-ES); Gnration (Braga-PT); CRL – Central El\u00e9trica (Porto-PT); Binaural Nodar (Vouzela-PT); O Espa\u00e7o do Tempo (Montemor-o-Novo-PT).<\/p>\n
Sara Vieira Marques
\n(Lisbon, 1992)<\/p>\n
An interdisciplinary artist, she lives and works in Porto. Her artistic practice, of an expanded nature, combines scenic installation, performance and research in various projects between the Performing and Visual Arts, exploring the material relations of space-time to generate environments and situations that allow other forms of relationship between human, non-human and more-than-human bodies. She has a degree in Production and Design – Scenography from ESMAE (IPP Porto) and a Master’s degree in Anthropology – Visual Cultures (FCSH\/NOVA, Lisbon) with research into material agency and post-human perspectivisms. She also participated in PACAP#4 (Forum Dan\u00e7a, Lisboa-PT), where she developed work accompanied by Chrysa Parkinson, Christine de Smedt, Eszter Salamon, Jo\u00e3o Fiadeiro, Moriah Evens, Paula Casp\u00e3o and Xavier Le Roy. His projects include: AURORA (Espa\u00e7o Alkantara, 2020) – a performance that explores the choreographic relationships between architecture, sound and geology; OSSU (Pegada, 2020) – a performative ethnographic diary; HEADLESSMEN (FCSH\/Doclisboa, 2021) – a documentary film about material and sound ecologies; and RESONATING ISLANDS_A SONOROUS ARCHIPELAGO (Arquip\u00e9lago CAC, 2023).<\/p>\n
Santiago Rodriguez Tricot
\n(Montevideo, 1986)<\/p>\n
Visual artist and scenic designer from Uruguay, based in Porto. He explores the languages of light, space and matter through collaborative creation processes in music and the living arts. He was awarded a FEFCA (UI) scholarship, from which he developed MOCHILA DE PIEDRA. Co-creator and musician in the electronic music project MUX. Together with Leticia Skrycky, Juan Ru\u00e9talo, Erika del Pino and Fabrizio Rossi, he is co-creator of the HORMIGONERA project: a performance practice about stage production and dramaturgical processes, through space, matter, light and sound. His artistic research project with Sara Vieira Marques, RESONATING ISLANDS_A SONOROUS ARCHIPELAGO, was supported by the Calouste Gulbenkian Foundation. As a designer and creator, he collaborates and\/or has collaborated on projects by: Tamara Cubas, Santiago Turenne, Juan Dom\u00ednguez Rojo, Marcela Levi & Lucia Russo, Vera Garat, Yann Marussich. She is the technical coordinator of FIDCU – International Contemporary Dance Festival of Uruguay and NIDO – International Encounter of Living Arts (UI).<\/p>\n
Binaural Nodar is an organization supported by the Portuguese Republic – Culture | Directorate-General for the Arts.<\/p>\n","protected":false},"excerpt":{"rendered":"
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