{"id":13170,"date":"2014-11-10T00:17:38","date_gmt":"2014-11-10T00:17:38","guid":{"rendered":"https:\/\/www.binauralmedia.org\/news\/arquivo\/13170"},"modified":"2021-09-13T09:10:28","modified_gmt":"2021-09-13T09:10:28","slug":"sound-memory-of-cork-multichannel-sound-installation-in-lourosa-santa-maria-da-feira-pt","status":"publish","type":"post","link":"https:\/\/www.binauralmedia.org\/news\/en\/arquivo\/13170","title":{"rendered":"Sound Memory of Cork: Multichannel sound installation in Lourosa (Santa Maria da Feira, PT)"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p><strong>SOUND MEMORY OF CORK IN SANTA MARIA DA FEIRA<\/strong><br \/>\nMultichannel sound and video installation<br \/>\nby Lu\u00eds Gomes da Costa<\/p>\n<p>A co-production of<span style=\"line-height: 1.5em;\">\u00a0Binaural\/Nodar, Municipality of Santa Maria da Feira and Santa Maria da Feira\u00a0Youth Orchestra and\u00a0<\/span>Symphonic<span style=\"line-height: 1.5em;\">\u00a0Band<\/span><\/p>\n<p>Casa da Cultura de Lourosa (Santa Maria da Feira, Portugal)<br \/>\n15 November &#8211; 14 December 2014 (10h00-12h30 &#8211; 14h00-19h00)<br \/>\nOpening: Friday, 14 November at 17h00<\/p>\n<p>In the municipality of Santa Maria da Feira (Aveiro district, Portugal) there is a both unlikely and magnificent industrial history: the cork industry:\u00a0In little more than 50 years\u00a0a poor rural area has become the epicenter of the global production of cork stoppers and other cork derivatives, creating an ecosystem of hundreds of companies that endures today with increasing vigor. We can look at this story from a purely business perspective, but what stands out is also the story of generations of men and women, mostly simple people, who, with a unique resilience, learned to convey the legacy of an artisanal craft towards new ways to produce, innovate and commercialize. In short, Santa Maria da Feira is a rare case in several connections: the deep and daily connection between memory and future, the connection between entrepreneurship and working class and the connection between a sustainable use of natural resources and industry.<\/p>\n<p>Sound Memory of Cork is a multichannel sound and video installation by Luis Gomes da Costa (coordinator of Binaural\/Nodar) that was based on a multidisciplinary fieldwork : analysis of historical documents, sound recordings made in cork factories along with over 50 students from the local school community and interviews with relevant industry actors (current and former workers, entrepreneurs, industry leaders and local museum directors). The visitors at Casa da Cultura de Lourosa will witness an immersive environment that honors in innovative ways the history of the Cork industry, that is particularly aimed at children and young people from the area, so that they can deepen their knowledge and sense of identity in relation to a industry which in many instances connects several generations of their own families.<\/p>\n<p>Lu\u00eds Gomes da Costa&#8217;s biography:<\/p>\n<p>Luis Gomes da Costa (1968). President of Binaural\/Nodar (S\u00e3o Pedro do Sul, Portugal). Curator, programmer, organizer and sound and video documentarist. Since 2006 he has developed documentation and educative sound and video projects in the mountain ranges of Gralheira, Arada and Montemuro. Coordinator of Nodar Rural Art Lab, a space for \u200b\u200bmultimedia artistic research in the rural village of Nodar, where more than a hundred artists and researchers were already hosted. He coordinates the Memory Archive of D\u00e3o-Laf\u00f5es and Paiva, a multimedia research, cataloging and mapping project of the collective memory of territories from the districts of Viseu and Aveiro. He directed the sound\/video experimental documentary &#8221; Where is the Source of my Paiva? &#8220;, premiered in 2011 during Paivascapes #1 Festival. As a sound artist, he released in 2011 at Edi\u00e7\u00f5es Nodar, with English sound artist Jez riley French , the CD &#8221; Sonata for Clarinet and Nodar&#8221; and in 2014 the book+CD &#8220;S\u00e3o Pedro do Sul: New Rural Listenings&#8221;. In 2011 he co-edited the catalogue and double CD &#8221; Three Years in Nodar &#8211; Context -Specific Artistic Practices in Rural Portugal&#8221;, in late 2012 he published a book of essays and interviews, &#8220;Living an Ancient World: Texts on Art and Territories (2012 -2008)\u201d and in 2014 he co-edited an essay book+DVD on the works of Manuela Barile: &#8220;The Sense of Pain: Two works by Manuela Barile&#8221; (co-released with Italian label La Parete della Caverna).<\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":14526,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[1184],"tags":[],"class_list":["post-13170","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-2"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/13170","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/comments?post=13170"}],"version-history":[{"count":1,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/13170\/revisions"}],"predecessor-version":[{"id":15494,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/13170\/revisions\/15494"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media\/14526"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media?parent=13170"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/categories?post=13170"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/tags?post=13170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}