{"id":13158,"date":"2014-09-07T00:08:33","date_gmt":"2014-09-07T00:08:33","guid":{"rendered":"https:\/\/www.binauralmedia.org\/news\/arquivo\/13158"},"modified":"2021-09-13T09:18:05","modified_gmt":"2021-09-13T09:18:05","slug":"released-bookcd-sao-pedro-do-sul-new-rural-listenings","status":"publish","type":"post","link":"https:\/\/www.binauralmedia.org\/news\/en\/arquivo\/13158","title":{"rendered":"Released book+CD &#8220;S\u00e3o Pedro do Sul: New Rural Listenings"},"content":{"rendered":"<p><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-margin-bottom-large:0px;--awb-width-medium:100%;--awb-width-small:100%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><\/div><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;width:100%;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-text fusion-text-1\"><p><strong>Lu\u00eds Gomes da Costa<br \/>\nS\u00e3o Pedro do Sul: New Rural Listenings<br \/>\n36 page book + CD<br \/>\n<\/strong>Edi\u00e7\u00f5es Nodar, nodar.010<br \/>\nTramontana Sonora, TRS 003<\/p>\n<p>Release: September 2014<br \/>\nPrice: EUR 10.00 + P&amp;P<\/p>\n<p>Edi\u00e7\u00f5es Nodar present a book and CD which is totally immersed in the naural and human context of the municipality of S\u00e3o Pedro do Sul. The four sound compositions included on the CD are the result of a territorial aggregation of sounds captured in geographic sub-areas (lands of Arada, Lands of Baroso, lands of St. Macarius, lands of Vouga), of a choice of audio excerpts based on a narrative-poetic methodology and, in parallel, of the use of electroacoustic techniques, including granular synthesis. The texts accompanying the CD refer to the universe of automatic writing as a way of registering sensory impressions similar to the sound composition, crisscrossing memories from the recording experience, comments on the heard voices and brief contextualizing information of each geographical and anthropological universe.<\/p>\n<p>This release is part of Tramontana Sonora, a collection of sound recordings that arises from a partnership between associative and research entities from France, Italy, Portugal and Romania, which scope are ethnomusicological, sociolinguistic and soundscape studies in continued connection with communities and landscapes. Tramontana Sonora forms a series of contemporary sound recollections which are the product of research conducted predominantly in rural areas of Southern and Central-Eastern Europe, currently subject to rapid sociocultural change<\/p>\n<p>Lu\u00eds Gomes da Costa (n.1968). President of Binaural\/Nodar. Curator, programmer, sound\/video archiver and artist. Since 2006, he is the coordinator of Nodar Rural Art Lab, a space for media arts research in the rural village of Nodar, where more than a hundred artists and researchers were already hosted. He coordinates the Memory Archive of D\u00e3o-Laf\u00f5es and Paiva, a multimedia research, cataloging and mapping project of the collective memory of mountain territories. He directed the sound\/video experimental documentary \u201cWhere is the Source of my Paiva?\u201d premiered in 2011 during Paivascapes #1 Festival. As a sound artist, he released in 2011 with English sound artist Jez riley French\u00a0 the CD \u201cSonata for Clarinet and Nodar\u201d. In 2011 he co-edited the catalogue and double CD \u201cThree Years in Nodar: Context -Specific Artistic Practices in Rural Portugal\u201d.<\/p>\n<p>List of tracks:<\/p>\n<p>1. Lands of Arada\u0003<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div> \u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 [\/fusion_builder_row][\/fusion_builder_container]<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 hundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-overflow:visible;--awb-flex-wrap:wrap;\" ><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><\/div><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-builder-row fusion-row\"><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-text fusion-text-2\"><p>[16m26s]\n2. Lands of Baroso\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 [19m35s]\n3. Lands of St. Macarius\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 [19m42s]\n4. Lands of Vouga \u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 [17m37s]<\/p>\n<p>Total length:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0\u00a0 [73m20s]<\/p>\n<p>Excerpt from &#8220;Lands of St. Macarius&#8221;:<\/p>\n\n        <div id=\"waveplayer-69ea589dc01af\" class=\"waveplayer loading wvpl-size-md wvpl-style-light wvpl-shape-circle\" data-ids=\"0\" data-url=\"http:\/\/www.binauralmedia.org\/news\/\/wp-content\/uploads\/Terras-de-Sa\u0303o-Maca\u0301rio-Excerto.mp3\" data-music_genre=\"\" data-limit=\"0\" data-size=\"md\" data-style=\"light\" data-info=\"none\" data-shape=\"circle\" data-autoplay=\"\" data-repeat_all=\"\" data-shuffle=\"0\" data-wave_color=\"#ddd\" data-wave_color_2=\"#666\" data-progress_color=\"#59f\" data-progress_color_2=\"#05a\" data-cursor_color=\"#ee2\" data-cursor_color_2=\"#d93\" data-cursor_width=\"2\" data-hover_opacity=\"40\" data-wave_mode=\"4\" data-gap_width=\"1\" data-wave_compression=\"2\" data-wave_asymmetry=\"2\">\n            <div class=\"wvpl-left-box\" style=\"background-image:url(http:\/\/www.binauralmedia.org\/news\/\/wp-content\/plugins\/waveplayer\/img\/music_file.png)\">\n                <div class=\"wvpl-interface\">\n                    <div class=\"wvpl-volume-overlay\"><\/div>\n                    <div class=\"wvpl-icon wvpl-info\"><\/div>\n                    <div class=\"wvpl-controls\">\n                        <div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n                        <div class=\"wvpl-icon wvpl-play\"><\/div>\n                        <div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n                    <\/div>\n                    <div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n                <\/div>\n                <div class=\"wvpl-poster\"><\/div>\n            <\/div>\n            <div class=\"wvpl-right-box\">\n                <div class=\"wvpl-overlay\"><\/div>\n                <div class=\"wvpl-position\"><\/div>\n                <div class=\"wvpl-duration\"><\/div>\n                <div class=\"wvpl-waveform\"><\/div>\n                <div class=\"wvpl-infobar\">\n                    <div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n                <\/div>\n            <\/div>\n            <div class=\"wvpl-playlist\">\n                <div class=\"wvpl-playlist-wrapper\"><\/div>\n            <\/div>\n        <\/div>\n    \n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 [\/fusion_builder_row][\/fusion_builder_container]<\/p>\n","protected":false},"author":2,"featured_media":14517,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[1184],"tags":[],"class_list":["post-13158","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-2"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/13158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/comments?post=13158"}],"version-history":[{"count":1,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/13158\/revisions"}],"predecessor-version":[{"id":15500,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/13158\/revisions\/15500"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media\/14517"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media?parent=13158"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/categories?post=13158"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/tags?post=13158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}