{"id":13114,"date":"2013-12-21T02:07:52","date_gmt":"2013-12-21T02:07:52","guid":{"rendered":"https:\/\/www.binauralmedia.org\/news\/arquivo\/13114"},"modified":"2023-06-13T09:29:21","modified_gmt":"2023-06-13T09:29:21","slug":"luis-costas-the-beggars-walking-stick-celebrates-one-year-of-interaction-with-religious-themes","status":"publish","type":"post","link":"https:\/\/www.binauralmedia.org\/news\/en\/arquivo\/13114","title":{"rendered":"Luis Costa&#8217;s &#8220;The Beggar&#8217;s Walking Stick&#8221; celebrates one year of interaction with religious themes"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p><strong>Lu\u00eds Costa<\/strong><br \/>\n<strong>&#8220;The Beggar&#8217;s Walking Stick&#8221;<\/strong><br \/>\nHD Video, 15m:38s<\/p>\n<p>&#8220;The Beggar&#8217;s Walking Stick&#8221; is an experimental audiovisual piece by Binaural\/Nodar&#8217;s coordinator Luis Costa. The piece was part of Divina Souns Ruris, a sound and media art program dedicated to interactions between sound and religion that took place throughout 2013, and is a reflection based on the ancestral presence of beggars during religious processions in the Gralheira Mountain Range (S\u00e3o Pedro do Sul, Portugal).<\/p>\n<p>&#8220;The Beggar&#8217;s Walking Stick&#8221; celebrates one full year that Binaural\/Nodar dedicated to the creative interaction with religious subjects and entities, aimed at the promotion of a sincere dialogue with the local catholic church hierarchy and at the recognition of the importance of religion in the lifes of rural communities where Binaural\/Nodar develops its activities.<\/p>\n<div>\n<div>\n<div data-description-limit=\"0\" data-expand-tooltip=\"Click to expand description\">\n<p><strong>The beggar\u2019s walking stick<\/strong><\/p>\n<p>My father told me<br \/>\nthat by the 40s of the last century<br \/>\nbeggars would roam<br \/>\nto all religious gatherings happening<br \/>\nin the Gralheira Mountains,<br \/>\nsuch as the pilgrimage to Mount St. Macarius<br \/>\non the last weekend of July.<\/p>\n<p>From the middle of the week already,<br \/>\nbeggars were heading to the pilgrimage site.<\/p>\n<p>They were going begging from village to village<br \/>\nand, on Saturday night or on Sunday morning at the latest,<br \/>\nthe whole legion of beggars would form an endless queue<br \/>\nOutside the chapels at the top of the mountain.<\/p>\n<p>with their walking sticks,<br \/>\ntattered clothes<br \/>\nand shabby sandals.<br \/>\ntaking advantage of the faith involvement<br \/>\nwhich breathed on the occasion.<\/p>\n<p>Beggars.<br \/>\nThese old beggars<br \/>\nPoor but gentle<\/p>\n<p>Sometimes I wish we could be more beggars and less masters<br \/>\nReturning to everyday necessity<br \/>\nTo the absolute freedom of choosing the path to walk.<\/p>\n<p>Humility, poverty and truth,<br \/>\nas foundations of a revolution that will never happen.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":17998,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[1184],"tags":[],"class_list":["post-13114","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-2"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/13114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/comments?post=13114"}],"version-history":[{"count":1,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/13114\/revisions"}],"predecessor-version":[{"id":18000,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/13114\/revisions\/18000"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media\/17998"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media?parent=13114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/categories?post=13114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/tags?post=13114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}