{"id":13108,"date":"2013-10-19T15:09:05","date_gmt":"2013-10-19T15:09:05","guid":{"rendered":"https:\/\/www.binauralmedia.org\/news\/arquivo\/13108"},"modified":"2023-06-13T10:18:14","modified_gmt":"2023-06-13T10:18:14","slug":"maile-colberts-passageira-em-casa-presented-at-teatro-viriato-viseu-pt","status":"publish","type":"post","link":"https:\/\/www.binauralmedia.org\/news\/en\/arquivo\/13108","title":{"rendered":"Maile Colbert’s “Passageira em Casa” presented at Teatro Viriato (Viseu, PT)"},"content":{"rendered":"

“Passageira em Casa \/ Passenger at Home”, by Maile Colbert
\nTeatro Viriato (Viseu, PT) | Dance Studio
\nFriday, November 1st, 2013, 9.30pm
\nFree admission.<\/p>\n

\u201cPassageira em Casa \/ Passenger at Home\u201d, a intermedia project by Maile Colbert, produced by Binaural\/Nodar and funded by the Government of Portugal | General Directorate for the Arts is premiering at Teatro Viriato, in Viseu, on November 1st, following an artist residency starting on October 28th.<\/p>\n

The project is an intermedia and interdisciplinary maritime performance inspired by the journey to define the concept of \u201chome\u201d and migration. The narrative is a partially fictionalized account of the Maritime history of Portugal. Context specific in varying historical, cultural, lingual, architectural, and personal aspects, the project has a conceptual anchor, but will always be born new as it travels to different locations and through different situations as an epic Exquisite Corpse.<\/p>\n

The text, or \u201clyrics\u201d, of the project were developed by the director, with poet Ian Colbert, based on Os Lus\u00edadas; as well as Hawaiian chant, the directors ancestors diaries and memoirs, and the director\u2019s own writing. The project is inspired by various texts related to maritime journeys and Portuguese history and culture.<\/p>\n

\u201d\u2018More than a few Portuguese of my generation relate the story of as a child looking to the map of Portugal hanging in their classrooms as a face\u2026Spain being the hair and neck\u2026the face of Portugal in profile looking away from the known land, out to sea, past sea, to new.\u2019 [\u201cPortuguese Modernism Unbounded: a Poetics for the Border Identity, Portuguese Literary & Cultural Studies, 1, Fall, 89-108″ \u2013 Maria Jos\u00e9 Canelo].
\nSomewhere in my bloodline was this experience. It leads them cross-land and two oceans to Hawaii. My mother looked back the way they came, I looked beyond where she led me. Now a bloodline becomes a circle. But is that a return? Return again implies a home base. But this speaks of many lifetimes. Can one\u2019s ancestry become a personal history? Could this feel like a return home? Could this feel like a home?\u201d [Maile Colbert]<\/p>\n

Credits:<\/p>\n

Artistic Direction: Maile Colbert (US\/PT)
\nVideo\/Intermedia Creation: Maile Colbert (US\/PT)
\nText: Ian Colbert (US) and Maile Colbert (US\/PT)
\nChoreography and Performance: Rafaela Salvador (PT)
\nMovement Research: Wanda Gala (US)
\nDramaturgy Consultant: Rui Catal\u00e3o (PT)
\nSound Creation: Rui Costa (PT) and Maile Colbert (US\/PT)
\nCostume Design: Cl\u00e1udia Ribeiro (PT) | Casa de Figurinos
\nProduction: Binaural\/Nodar
\nCo-Production: Cross the Pond<\/p>\n

For more information on the project, please click here.<\/p>\n

For more information on Maile Colbert, please click here.<\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":18010,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[1184],"tags":[],"class_list":["post-13108","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-2"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/13108","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/comments?post=13108"}],"version-history":[{"count":1,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/13108\/revisions"}],"predecessor-version":[{"id":18012,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/13108\/revisions\/18012"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media\/18010"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media?parent=13108"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/categories?post=13108"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/tags?post=13108"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}