{"id":12934,"date":"2011-10-26T10:51:28","date_gmt":"2011-10-26T10:51:28","guid":{"rendered":"https:\/\/www.binauralmedia.org\/news\/arquivo\/12934"},"modified":"2023-06-12T11:40:10","modified_gmt":"2023-06-12T11:40:10","slug":"g-d-parada-by-duncan-whitley-at-countertext-bridport-uk","status":"publish","type":"post","link":"https:\/\/www.binauralmedia.org\/news\/en\/arquivo\/12934","title":{"rendered":"&#8220;G.D. Parada\u201d by Duncan Whitley at Countertext, Bridport (UK)"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p><strong>&#8220;G.D. Parada&#8221;<\/strong><br \/>\nDuncan Whitley (London): text based projection with stereo audio<br \/>\nFriday 18th \u2013 Saturday 26th November 2011<\/p>\n<p>Venue: LabCulture MediaLab<br \/>\n1 Kings Square<br \/>\nBridport<br \/>\nDorset<br \/>\nDT6 3QE<br \/>\nEngland&#8221;G.D. Parada&#8221;, a work by Duncan Whitley and produced by Binaural\/Nodar is part of Countertext, a collection of transmedia installations and events to complement the Bridport Open Book Festival including sculpture, video, sound and performance, curated by David Rogers and Nigel Slight.<\/p>\n<p>&#8220;G.D. Parada&#8221; draws on the subject of an amateur football team, \u2018Grupo Desportivo de Parada\u2019, in rural Portugal. With delicately-crafted sound recordings and transcribed interviews as the driving, rhythmic body of the work, the artist places sound into new relationships with text and video images. Whitley here explores spillages between the contemporary fields of art and ethnography: with a particular focus on the rich, sensory world of sound.<\/p>\n<p>An audio track taken from the \u201cG.D. Parada\u201d project is included in the double CD \u201cLocation-Specific Sound 2007-2009\u201d published by Edi\u00e7\u00f5es Nodar as part of the \u201cThree Years in Nodar\u201d retrospective catalogue.<\/p>\n<p>More information on Duncan Whitley,\u00a0here.<\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":17753,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[1184],"tags":[],"class_list":["post-12934","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-2"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/12934","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/comments?post=12934"}],"version-history":[{"count":1,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/12934\/revisions"}],"predecessor-version":[{"id":17755,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/12934\/revisions\/17755"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media\/17753"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media?parent=12934"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/categories?post=12934"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/tags?post=12934"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}