{"id":12876,"date":"2010-11-17T23:27:43","date_gmt":"2010-11-17T23:27:43","guid":{"rendered":"https:\/\/www.binauralmedia.org\/news\/arquivo\/12876"},"modified":"2023-06-12T11:19:57","modified_gmt":"2023-06-12T11:19:57","slug":"nodar001-football-sound-narratives-released","status":"publish","type":"post","link":"https:\/\/www.binauralmedia.org\/news\/en\/arquivo\/12876","title":{"rendered":"[nodar001] Football Sound Narratives released"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>Football Sound Narratives<br \/>\nEdi\u00e7\u00f5es Nodar, 2010<br \/>\n[nodar001]<\/p>\n<p>A compilation curated by Rui Costa and Duncan Whitley<br \/>\nCover image by Carina Martins<br \/>\nCover art by Lu\u00eds Costa<\/p>\n<p>Football has for many years provided a rich field for investigation within the social sciences, being widely considered to \u201creflect\u201d broader issues within contemporary society. The global economics of the game, the impact of sponsorship and television deals, the politics of team management, the psychology of the production of \u201cwinners\u201d and \u201closers\u201d, the bodily performance of players, the creation of role models for youth, the process of myth-making in football, class and ethnic division amongst players and spectators, changing nationalism and racism within the context of the globalised game, and whole wealth of studies focused on issues of identity, have all been the source of recent anthropological and sociological research.<\/p>\n<p>Football Sound Narratives is a web-based edition of sound works centred around specificities of the game of football: the selected works focus on both the professional and the amateur game, revealing issues rooted in individual and collective spectatorship, language and accent, the family, local legend, televised media and other global commercial trends.<\/p>\n<p>This first release from Edi\u00e7\u00f5es Nodar reflects on the sport as a field of inspiration for a panorama of musical and experimental sound creation. The collection of eleven sound works by international practitioners encompasses the genres of sound art, electroacoustic music, field recording, sociological research, vocal performance, radio production, laptop music, socially-engaged art practice and visual art installation.<\/p>\n<p>Track List:<\/p>\n<p>1 \u2013 Goalkeeper<br \/>\nRui Costa: \u201cProgressive Devuvuzelation of the World\u201d (5m:39s)<\/p>\n<p>2 \u2013 Right back<br \/>\nLu\u00eds Antero: \u201cEuforia Encarnada OHP\u201d (5m:37s)<\/p>\n<p>3 \u2013 Left back<br \/>\nEmeka Ogboh: \u201cUp Blues\u201d (9m:50s)<\/p>\n<p>4 \u2013 Centre half<br \/>\nGlenn Boulter \/ Aurelie: \u201cAn Unorthodox 1-2? (9m:34s)<\/p>\n<p>5 \u2013 Centre half<br \/>\nGirls of St. Bernards School with Ian McMillan and John Hall: \u201cThe Al Mobility Story\u201d (14m:50s)<\/p>\n<p>6 \u2013 Defensive midfield<br \/>\nDavide Tidoni: \u201cCol Cuore\u201d (7m:33s)<\/p>\n<p>7 \u2013 Right wing<br \/>\nManuela Barile: \u201cForza Bari! Al\u00e9! Al\u00e9!\u201d (10m:07s)<\/p>\n<p>8 \u2013 Attacking midfield<br \/>\nDuncan Whitley: \u201cYou\u2019re Just a Small Town in Derby\u201d (10m:00s)<\/p>\n<p>9 \u2013 Centre forward<br \/>\nTilman K\u00fcntzel: \u201cWorld Cup 2006? (9m:20s)<\/p>\n<p>10 \u2013 Centre forward<br \/>\nPete Stollery: \u201cBack to Square One\u201d (10m:16s)<\/p>\n<p>11 \u2013 Left wing<br \/>\nHarold Schellinx: \u201cLe Zida Ne Passera Pas Par Moi\u2026\u201d (6m:29s)<\/p>\n<p>[p] &amp; [c] by the artists, 2010<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>Additional info:<br \/>\nhttp:\/\/www.binauralmedia.org\/news\/\/news\/en\/edicoes\/nodar-001<\/p>\n<p>Link to download sound files (mp3 &#8211; 256 Kbps), cover art and track list:<br \/>\nhttp:\/\/www.binauralmedia.org\/news\/\/edicoesnodar\/nodar001\/nodar001_256k.zip<br \/>\n<strong><br \/>\n<\/strong><br \/>\nAbout Us<\/p>\n<p>Edi\u00e7\u00f5es Nodar is a non-profit publishing project dedicated to sound, video and text works dealing with exploratory artistic practices that create awareness and question specific locational and anthropological contexts, and that seek to reveal the tensions between local cultures and the counter-pressures stemming from a growing globalised world.<\/p>\n<p>Edi\u00e7\u00f5es Nodar is coordinated by Binaural \/ Nodar, a sound art organization based in the small rural village of Nodar, Portugal, where since 2006 have been hosted over 70 sound and media arts projects in close connection with the local geographical and social contexts.<\/p>\n<p>Edi\u00e7\u00f5es Nodar will release a diversity of both digital and physical forms: mp3, ebooks, cdr, cd, dvd, and books of works created at Nodar Artist Residency Centre or specifically curated for publication.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>Team<\/p>\n<p>General Coordinator:<br \/>\nLu\u00eds Costa<\/p>\n<p>Label Managers:<br \/>\nRui Costa and Duncan Whitley<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>Submissions and Inquiries<\/p>\n<p>Edi\u00e7\u00f5es Nodar<br \/>\nCaixa Postal 119 &#8211; Nodar<br \/>\n3660-324 S\u00e3o Martinho das Moitas<br \/>\nPortugal<\/p>\n<p>or<\/p>\n<p>edicoesnodar-binauralmedia.org<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Football Sound Narratives Edi\u00e7\u00f5es Nodar, 2010 [nodar001] A compilation  [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":17733,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[1184],"tags":[],"class_list":["post-12876","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-2"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/12876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/comments?post=12876"}],"version-history":[{"count":1,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/12876\/revisions"}],"predecessor-version":[{"id":17735,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/12876\/revisions\/17735"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media\/17733"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media?parent=12876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/categories?post=12876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/tags?post=12876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}