{"id":12806,"date":"2010-04-22T17:10:25","date_gmt":"2010-04-22T17:10:25","guid":{"rendered":"https:\/\/www.binauralmedia.org\/news\/arquivo\/12806"},"modified":"2023-06-09T14:27:38","modified_gmt":"2023-06-09T14:27:38","slug":"open-call-for-artist-residencies-in-2011","status":"publish","type":"post","link":"https:\/\/www.binauralmedia.org\/news\/en\/arquivo\/12806","title":{"rendered":"Open Call for Artist Residencies in 2011"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p><strong>Binaural\/Nodar announces:<\/strong><\/p>\n<p><strong>MAGAIO VOICESCAPES<br \/>\nThe rural voice: sacrality, leisure and work<\/strong><\/p>\n<p><strong>Nodar Artist Residency Program for 2011:\u00a0Open call for the presentation of art projects<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Application Submission period:<\/strong><\/p>\n<p><span style=\"font-weight: normal;\"> May 1, 2010 \u2013 September 30, 2010<\/span><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Artistic Disciplines:<\/strong><\/p>\n<p><span style=\"font-weight: normal;\"> Sound Poetry; Vocal Performance; Sound Art; Phonography; Acoustic, Electroacoustic or Electronic\u00a0Composition \/ Improvisation; Radio\u00a0Art; Video Performance<\/span><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>The application is open to art projects centred in the<strong>\u00a0<\/strong>human voice, which<strong>\u00a0<\/strong>work with<strong>\u00a0<\/strong>issues such as the origin, meaning and relationship with the sacred (reconnected to its ancestral meaning of mystery and symbol), the voice as a pivotal<strong>\u00a0<\/strong>element of rituals, customs and superstitions, able to enchant the listener and bring deep changes to the reality, to the communities and territory, the voice as the protagonist of memories, myths, archetypes, folk wisdom handed down through the centuries, or even the voice of everyday, tool for work and life.<\/p>\n<p>15 art projects will be selected to be developed in a series of artist residencies that will take place between May and October 2011 in interaction with the context of each of the 15 rural villages of the\u00a0<em>Gralheira<\/em>\u00a0mountain region, those ones that comprise the network of \u201c<em>Aldeias de Magaio\u201d<\/em>:\u00a0Nodar, Sequeiros, Sete Fontes, Rompecilha, Macieira, Aldeia, Leirados, Fujaco, Candal, P\u00f3voa das Leiras, Covas do Rio, Covas do Monte, Pena, Manhouce and Vilarinho.<\/p>\n<p>The developed works will be presented to the public in early 2012, as part of an event that will include concerts, exhibition of videos, lectures and a retrospective exhibition of the whole project. This exhibition will have an itinerant character and an underlying<strong>\u00a0<\/strong>program of educational activities.<\/p>\n<p>Click\u00a0here\u00a0for additional information on this open call.<\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":17480,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[1184],"tags":[],"class_list":["post-12806","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-2"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/12806","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/comments?post=12806"}],"version-history":[{"count":1,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/12806\/revisions"}],"predecessor-version":[{"id":17482,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/12806\/revisions\/17482"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media\/17480"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media?parent=12806"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/categories?post=12806"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/tags?post=12806"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}