{"id":12736,"date":"2009-05-28T19:25:03","date_gmt":"2009-05-28T19:25:03","guid":{"rendered":"https:\/\/www.binauralmedia.org\/news\/arquivo\/12736"},"modified":"2023-06-09T14:01:03","modified_gmt":"2023-06-09T14:01:03","slug":"la-scatola-closing-show","status":"publish","type":"post","link":"https:\/\/www.binauralmedia.org\/news\/en\/arquivo\/12736","title":{"rendered":"&#8220;La Scatola&#8221;: closing show"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p style=\"text-align: justify;\"><strong>Binaural and Viriato Theatre present:<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>La Scatola<\/strong><\/p>\n<p>An Intermedia Show by Manuela Barile and Rui Costa<\/p>\n<p style=\"text-align: justify;\"><strong>Friday, 19 June 09 \u2013 9.30 p.m.<\/strong><\/p>\n<p>Viriato Theatre, Viseu (PT)<\/p>\n<p>Tickets between 5 and 10 Euros<\/p>\n<p style=\"text-align: justify;\">The closing show of \u201cLa Scatola\u201d by Manuela Barile and Rui Costa following an itinerancy that brought the project to 14 locations, such as exploratory music festivals, concert halls, galleries and museums throughout Portugal, Spain, Italy and France<\/p>\n<p style=\"text-align: justify;\">An innovative intermedia show where voice, performance, mutichannel sound and video (both pre-recorded and in real time) create an immersive world to narrate situations that are common to everyone: distant memories, the childhood between dream and nightmare, places and people from each one\u2019s past, etc.<\/p>\n<p style=\"text-align: justify;\">\u201cLa Scatola\u201d explores the notion of confinement using multiple approaches. Working on the border zone between the \u2018I\u2019 and the outside world, \u2018La Scatola\u2019 (\u201cThe Box\u201d, in English) can be thought as a narrative device, that represents a diffuse space between the \u201cinside\u201d and the outside\u201d, between the \u201cI\u201d and the \u201cother\u201d, in which multiple and sometimes opposite strength lines are present: sensitive manifestations of the incarcerated and\/or protected body, distorted visions of the external world, anxiety, wishes and memories. We may define this zone in purely spatial terms (\u201cforbidden zone\u201d, \u201cabyss\u201d,\u00a0 \u201cbarrier\u201d) but also in terms of bidirectional \u201cenergy fluxes\u201d created by the sensorial and emotional projection of the incarcerated individuality into the outside world (pain, desire, resistance, impotence, etc.) and by the representation (idealized, distorted, diffuse) of the outside world in the mind and body of the incarcerated individual.<\/p>\n<p style=\"text-align: justify;\">The several narrative devices are organized in order to create enigmatic situations, between the familiar and the weird (or distant). The images or objects to be used, in its simplicity and depuration, can be transformed in a mirror capable of facing the audience with their own memories and individual experiences.<\/p>\n<p style=\"text-align: justify;\">The project was developed in multiple metamorphosis and presented in several interchangeable contexts: installations, performances, concerts (solos \/ duos), site-specific presentations and workshops.<\/p>\n<p style=\"text-align: justify;\"><strong>Artistic Direction:<\/strong> Manuela Barile (Italy) and Rui Costa (Portugal)<\/p>\n<p style=\"text-align: justify;\"><strong>Dramaturgic Collaboration:<\/strong> Bojana Bauer (Serbia)<\/p>\n<p><strong>Video Post-Production:<\/strong> Jo\u00e3o Rodrigues (Portugal)<\/p>\n<p><strong>Production Direction:<\/strong> Lu\u00eds Costa<\/p>\n<p><strong>Artist Residencies:<\/strong> Nodar Guest Studio (Portugal) | MoKS (Estonia)<\/p>\n<p style=\"text-align: justify;\"><strong>Funding:<\/strong> General Office of the Arts | Ministry of Culture, Portugal<\/p>\n<p style=\"text-align: justify;\"><strong>Acknowledgments: <\/strong>Associa\u00e7\u00e3o Cultural de Nodar (Portugal) | S. Pedro do Sul Municipality (Portugal) | Zoom \u2013 Associa\u00e7\u00e3o Cultural (Portugal) | Amigos do Museu de Olaria de Barcelos (Portugal) | ZDB Gallery (Portugal) | MoKS (Estonia) | Vel-Net (Italy) | Villa Franchin (Italy) | Madcap Collective (It\u00e1lia) | Citt\u00e0 di Venezia (Italy) | MARCO \u2013 Contemporary Art Museum of Vigo (Spain) | Sinsal Collective (Spain) | MUSAC \u2013 Contemporary Art Museum of Le\u00f3n (Spain) | Junta de Castilla y Le\u00f3n \u2013 Consejeria de Cultura y Turismo (Spain) | Almazen. Serial Artist (Spain) | La Casa Encendida de Obra Social Caja Madrid (Spain) | Asociaci\u00f3n Musicalibre (Spain) | Centro Huarte \u2013 Contemporary Art Centre of Navarra (Spain) | Presence Capitale (France) | Erratum (France) | Viriato Theatre, Viseu (Portugal)<\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":17463,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[1184],"tags":[],"class_list":["post-12736","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-2"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/12736","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/comments?post=12736"}],"version-history":[{"count":1,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/12736\/revisions"}],"predecessor-version":[{"id":17465,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/12736\/revisions\/17465"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media\/17463"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media?parent=12736"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/categories?post=12736"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/tags?post=12736"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}