{"id":12676,"date":"2008-05-31T18:58:13","date_gmt":"2008-05-31T18:58:13","guid":{"rendered":"https:\/\/www.binauralmedia.org\/news\/arquivo\/12676"},"modified":"2023-06-07T14:22:09","modified_gmt":"2023-06-07T14:22:09","slug":"la-scatola-guarda-municipal-theatre-pt","status":"publish","type":"post","link":"https:\/\/www.binauralmedia.org\/news\/en\/arquivo\/12676","title":{"rendered":"La Scatola &#8211; Guarda Municipal Theatre (PT)"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p><strong>\u201cLa Scatola\u201d<\/strong>, an intermedia project by Manuela Barile and Rui Costa, live at Guarda Municipal Theatre (PT) in two complementary presentations:<\/p>\n<p><strong>Thu 5 June 08 \u2013 9.30 p.m.<br \/>\nGuarda Municipal Theatre (PT)<br \/>\n\u00d3 DA GUARDA \u2013 NEW MUSIC FESTIVAL<\/strong><\/p>\n<p>An intermedia performance by:<br \/>\nManuela Barile (voice, performance and objects) and Rui Costa (electronics and sensors)<br \/>\nAdmission: 5\u20ac<\/p>\n<p>festival admission: 13\u20ac \u2022 60 min.<\/p>\n<p>\u201cA submerged world.<br \/>\nThe unreachable depth of the abysses.<br \/>\nObscurity. Apparent stillness<br \/>\nOpposite forces.<br \/>\nThe memories come and go<br \/>\nFaces. Bodies. People. Places.<br \/>\nThe images of an instant.<br \/>\nAn instant from the past.<br \/>\nThe past is underwater<br \/>\nVisions of a distant reality, still alive and present\u201d<\/p>\n<p>\u201cLa Scatola\u201d explores the notion of confinement using multiple approaches. Working on the border zone between the \u2018I\u2019 and the outside world, \u2018La Scatola\u2019 (\u201cThe Box\u201d, in English) can be thought as a narrative device, that represents a diffuse space between the \u201cinside\u201d and the outside\u201d, between the \u201cI\u201d and the \u201cother\u201d, in which multiple and sometimes opposite strength lines are present: sensitive manifestations of the incarcerated and\/or protected body, distorted visions of the external world, anxiety, wishes and memories. We may define this zone in purely spatial terms (\u201cforbidden zone\u201d, \u201cabyss\u201d, \u201cbarrier\u201d) but also in terms of bidirectional \u201cenergy fluxes\u201d created by the sensorial and emotional projection of the incarcerated individuality into the outside world (pain, desire, resistance, impotence, etc.) and by the representation (idealized, distorted, diffuse) of the outside world in the mind and body of the incarcerated individual.<\/p>\n<p>The project is developed in multiple metamorphoses and presented in several interchangeable contexts: installations, performances, concerts (solos \/ duos), site-specific presentations and workshops.<\/p>\n<p><strong>Thu 5 June 08 \u2013 10.00 a.m.<br \/>\nGuarda Municipal Theatre<br \/>\nEDUCATIONAL DEPARTMENT \u2013 AQUA CRIATIVA PROJECT<\/strong><\/p>\n<p>La Scatola d\u2019Acqua<br \/>\nby Manuela Barile and Rui Costa<br \/>\nIntermedia Installation \/ Performance \u2022 2\u20ac \u2022 Registration until June, 3rd \u2022 60 min.<\/p>\n<p>La Scatola d\u2019Acqua is an interactive show conceived by Manuela Barile and Rui Costa mixing water, video, sound, voice and movement.<\/p>\n<p>\u201cThe living matter started its adventure in our planet from the water. Every human being lives in his\/her initial formation surrounded by the amniotic liquid. Water is the main constituent of living beings\u2026 It is a crucial element for life on Earth. Water is also an important element of fun and amusement for children, a matter that offers them the possibility of experiencing pleasurable sensations. of understanding and exploring\u2026. \u201cLa Scatola d\u2019Acqua\u201d is a sound and visual journey in a submerged and mysterious world. A show that deals with affections, emotions, and recollections from our beloved ones. A past still alive and present\u201d<\/p>\n<p>Artistic Direction: Manuela Barile (Italy) and Rui Costa (Portugal)<br \/>\nVideo Collaboration: Maile Colbert (USA)<br \/>\nSound Collaboration: Mario Volpe (Italy)<br \/>\nDramaturgic Collaboration: Bojana Bauer (Serbia)<br \/>\nProduction Direction: Lu\u00eds Costa<br \/>\nArtist Residencies: Nodar Guest Studio (Portugal) | MoKS (Estonia)<br \/>\nFunding: Portuguese Ministry of Culture \/ General Office for the Arts<\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":17275,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[1184],"tags":[],"class_list":["post-12676","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-2"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/12676","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/comments?post=12676"}],"version-history":[{"count":2,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/12676\/revisions"}],"predecessor-version":[{"id":17277,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/12676\/revisions\/17277"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media\/17275"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media?parent=12676"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/categories?post=12676"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/tags?post=12676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}