{"id":12666,"date":"2008-05-04T07:58:24","date_gmt":"2008-05-04T07:58:24","guid":{"rendered":"https:\/\/www.binauralmedia.org\/news\/arquivo\/12666"},"modified":"2023-06-07T14:58:09","modified_gmt":"2023-06-07T14:58:09","slug":"john-grzinichs-work-nodar","status":"publish","type":"post","link":"https:\/\/www.binauralmedia.org\/news\/en\/arquivo\/12666","title":{"rendered":"John Grzinich’s work – Nodar"},"content":{"rendered":"

The American sound artist John Grzinich stayed at Nodar Artist Residency Center last April 2008 where he developed a sound project (\u201cNodar Flowlines\u201d) based on the interaction with local water flows, either the downhill streams that arrive in the Paiva river and the water channels that bring the water to the village. His work methodology was based on the following parameters:<\/p>\n

1 \u2013 Choice of an appropriate location for each sound recording session;
\n2 \u2013 Set a mechanical device (wire threads, wine bottles, metal objects, wood objects, etc.) that in interaction with the water flow and the microphones would produce modified sound patterns;
\n3 \u2013 Sound recording of the interaction between soundscape + waterflow + device + microphone;
\n4 \u2013 Simultaneous video stills of each specific location, as a means of documenting the sound recording process;
\n5 \u2013 Edition of a DVD with the audiovisual result of the recordings made during the residency.<\/p>\n

Here are some photos of John\u2019s presence in Nodar along with a short movie clip of \u201cNodar Flowlines\u201d:
\n\"IMG_0831\"<\/a> \"John<\/a> \"John<\/a> \"John<\/a> \"recording<\/a> \"recording<\/a> \"recording<\/a> \"recording <\/a>\"recording<\/a> \"recording <\/a>\"IMG_7176.JPG\"<\/a> \"IMG_7175.JPG\"<\/a> \"IMG_7189.JPG\"<\/a> \"IMG_7172.JPG\"<\/a><\/p>\n

A sound improvisation with bottles in contact with water:<\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":17299,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[1184],"tags":[],"class_list":["post-12666","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-2"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/12666","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/comments?post=12666"}],"version-history":[{"count":1,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/12666\/revisions"}],"predecessor-version":[{"id":17301,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/posts\/12666\/revisions\/17301"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media\/17299"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media?parent=12666"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/categories?post=12666"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/tags?post=12666"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}