{"id":22498,"date":"2024-11-15T15:36:45","date_gmt":"2024-11-15T15:36:45","guid":{"rendered":"https:\/\/www.binauralmedia.org\/news\/arquivo\/portfolio-items\/sara-vieira-marques-e-santiago-tricot"},"modified":"2025-01-06T14:37:56","modified_gmt":"2025-01-06T14:37:56","slug":"sara-vieira-marques-e-santiago-tricot","status":"publish","type":"avada_portfolio","link":"https:\/\/www.binauralmedia.org\/news\/en\/arquivo\/portfolio-items\/sara-vieira-marques-e-santiago-tricot","title":{"rendered":"Sara Vieira Marques and Santiago Tricot"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p>[finis\u02c8t\u025brra] is the mythology of a place that evokes the end of the world. It is also the name of this research project, which uses listening as a tool to imagine what will exist beyond that end. Believing in futures of inclusive narratives, where the human does not occupy the central narrative, and through a speculative and interdisciplinary approach, [finis\u02c8t\u025brra] Practices and Theories for an End of the World summons practices and theories to enunciate possible \u201cfutures of the future\u201d.<\/p>\n<p>Artistic and technical data<br \/>\nArtistic Direction, Research and Performance | Sara Vieira Marques<br \/>\nArtistic Accompaniment | Nuno Preto and Santiago Rodriguez Tricot<br \/>\nDesign of installation devices | Sara Vieira Marques and Santiago Rodriguez Tricot<br \/>\nObject construction | Carlos Neves<br \/>\n&#8216;Grupo Explorat\u00f3rio de Pr\u00e1ticas Sonoras&#8217; study group | Jo\u00e3o Grilo; \u00c1ngela D\u00edaz Quintela; In\u00eas Luzio; Santiago Rodriguez Tricot and Irina Pereira<br \/>\nCo-production | \u201cArtistas Douro\u201d grant, awarded by mala voadora, with funding from Porto City Council<br \/>\nSupport for Artistic Research | \u201cReclamar Tempo 2024\u201d CAMPUS Paulo Cunha e Silva<br \/>\nSupport for Creation in Residence | fAUNA &#8211; Teatro da Didasc\u00e1lia (Joane-PT); Artists&#8217; Shelter &#8211; Sekoia (Porto-PT); ApalleirA (Sarria-ES); Gnration (Braga-PT); CRL &#8211; Central El\u00e9trica (Porto-PT); Binaural Nodar (Vouzela-PT); O Espa\u00e7o do Tempo (Montemor-o-Novo-PT).<\/p>\n<\/div><div class=\"fusion-text fusion-text-2\"><p>Sara Vieira Marques<br \/>\n(Lisbon, 1992)<\/p>\n<p>Interdisciplinary artist, lives and works in Porto. Her artistic practice, of an expanded nature, combines scenic installation, performance and research in various projects between the Performing and Visual Arts, exploring the material relations of space-time to generate environments and situations that allow other forms of relationship between human, non-human and more-than-human bodies. She has a degree in Production and Design &#8211; Scenography from ESMAE (IPP Porto) and a Master&#8217;s degree in Anthropology &#8211; Visual Cultures (FCSH\/NOVA, Lisbon) with research into material agency and post-human perspectivisms. She also took part in PACAP#4 (Forum Dan\u00e7a, Lisbon), where she worked with Chrysa Parkinson, Christine de Smedt, Eszter Salamon, Jo\u00e3o Fiadeiro, Moriah Evens, Paula Casp\u00e3o and Xavier Le Roy. His projects include: AURORA (Espa\u00e7o Alkantara, 2020) &#8211; a performance that explores the choreographic relationships between architecture, sound and geology; OSSU (Pegada, 2020) &#8211; a performative ethnographic diary; HEADLESSMEN (FCSH\/Doclisboa, 2021) &#8211; a documentary film about material and sound ecologies; and RESONATING ISLANDS_A SONOROUS ARCHIPELAGO (Arquip\u00e9lago CAC, 2023).<\/p>\n<div class=\"x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a\">\n<div dir=\"auto\">\n<p>Santiago Rodriguez Tricot<br \/>\n(Montevideo, 1986)<\/p>\n<p>Visual artist and scenic designer from Uruguay, based in Porto. He explores the languages of light, space and matter through collaborative creation processes in music and the living arts. He was awarded a FEFCA (UI) scholarship, from which he developed MOCHILA DE PIEDRA. Co-creator and musician in the electronic music project MUX. Together with Leticia Skrycky, Juan Ru\u00e9talo, Erika del Pino and Fabrizio Rossi, he is co-creator of the HORMIGONERA project: a performance practice about stage production and dramaturgical processes, through space, matter, light and sound. His artistic research project with Sara Vieira Marques, RESONATING ISLANDS_A SONOROUS ARCHIPELAGO, was supported by the Calouste Gulbenkian Foundation. As a designer and creator, he collaborates and\/or has collaborated on projects by: Tamara Cubas, Santiago Turenne, Juan Dom\u00ednguez Rojo, Marcela Levi &amp; Lucia Russo, Vera Garat, Yann Marussich. He is the technical coordinator of FIDCU &#8211; International Contemporary Dance Festival of Uruguay and NIDO &#8211; International Encounter of Living Arts (UI).<\/p>\n<\/div>\n<\/div>\n<\/div><div class=\"fusion-title title fusion-title-1 fusion-title-center fusion-title-text fusion-title-size-one\"><div class=\"title-sep-container title-sep-container-left\"><div class=\"title-sep sep-double sep-solid\" style=\"border-color:#e0dede;\"><\/div><\/div><span class=\"awb-title-spacer\"><\/span><h1 class=\"fusion-title-heading title-heading-center\" style=\"margin:0;\"><h3 style=\"text-align: center;\">ARTISTIC WORK<\/h3><\/h1><span class=\"awb-title-spacer\"><\/span><div class=\"title-sep-container title-sep-container-right\"><div class=\"title-sep sep-double sep-solid\" style=\"border-color:#e0dede;\"><\/div><\/div><\/div><div class=\"fusion-video fusion-vimeo\" style=\"--awb-max-width:600px;--awb-max-height:360px;--awb-align-self:center;--awb-width:100%;\"><div class=\"video-shortcode\"><div class=\"fluid-width-video-wrapper\" style=\"padding-top:60%;\" ><iframe title=\"Vimeo video player 1\" src=\"https:\/\/player.vimeo.com\/video\/1040714730?autoplay=0&amp;autopause=0\" width=\"600\" height=\"360\" allowfullscreen allow=\"autoplay; fullscreen\"><\/iframe><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":13,"featured_media":22496,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"video","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"portfolio_category":[1330,1212,1217,1254],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-22498","avada_portfolio","type-avada_portfolio","status-publish","format-video","has-post-thumbnail","hentry","portfolio_category-2024-en","portfolio_category-activities-en","portfolio_category-artist-residencies-en","portfolio_category-artistas-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio\/22498","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/comments?post=22498"}],"version-history":[{"count":6,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio\/22498\/revisions"}],"predecessor-version":[{"id":22827,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio\/22498\/revisions\/22827"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media\/22496"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media?parent=22498"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/portfolio_category?post=22498"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/portfolio_skills?post=22498"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/portfolio_tags?post=22498"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}