{"id":19970,"date":"2023-08-14T11:34:13","date_gmt":"2023-08-14T11:34:13","guid":{"rendered":"https:\/\/www.binauralmedia.org\/news?post_type=avada_portfolio&#038;p=19970"},"modified":"2024-02-07T15:40:27","modified_gmt":"2024-02-07T15:40:27","slug":"rui-catalao-madiu-furtado-2023","status":"publish","type":"avada_portfolio","link":"https:\/\/www.binauralmedia.org\/news\/en\/arquivo\/portfolio-items\/rui-catalao-madiu-furtado-2023","title":{"rendered":"Rui Catal\u00e3o &#038; Madiu Furtado (2023)"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p><strong>Mal de Ulisses (Ulisses&#8217; Angst)<\/strong><br \/>\nA project by Rui Catal\u00e3o with migrant communities<\/p>\n<p>Binaural Nodar resumes the collaboration with Rui Catal\u00e3o through the hosting and co-production of his new project, entitled \u201cMal de Ulisses\u201d (\u201cUlysses\u2019 Angst\u201d), which in May 2023 had a first artist residency with local migrant communities .<\/p>\n<p>Portugal has witnessed in its recent history two poorly studied migratory experiences: those who left the country during the dictatorship and those who arrived in the era of the European Union. A depiction from a Portuguese society in rapid transformation,\u201d Mal de Ulisses\u201d puts into dialogue testimonies of a country that is disappearing and another that is emerging.<\/p>\n<p>Traumatic tales of those who left their countries of origin in search of another future, in &#8220;Mal de Ulisses&#8221; former emigrants and young immigrants tell their story: why they left their family, their way of life, and the adaptation problems they faced.<\/p>\n<p>With distinct creations, adapted to the presentation venues, and casts made up of immigrants or their descendants, &#8220;Mal de Ulisses&#8221; develops in several regions from north to south of Portugal. The work model followed advocates a progressive autonomy of local groups.<\/p>\n<p>Conception, dramaturgy, text and staging: Rui Catal\u00e3o<br \/>\nPerformers: 3 community performers<br \/>\nCostume designer: to be defined in the community<br \/>\nTechnical direction: Jo\u00e3o Chic\u00f3<br \/>\nInterviews: Madiu Furtado<br \/>\nExecutive Producer: Marta Moreira<br \/>\nProduction: Unreal<br \/>\nCo-productions: Teatro Municipal do Porto \u2013 Tivoli, Festival Todos (Lisbon), Futurama (Serpa), A Oficina (Guimar\u00e3es), Binaural Nodar (Vouzela) and Teatro das Figuras (Faro)<\/p>\n<p>Biographies:<\/p>\n<p>Rui Catal\u00e3o has a degree in social communication from UAL, has been a film critic since his adolescence at Jornal de Sintra and was a music journalist and literature critic at P\u00fablico, where he still episodically collaborates. He also writes a monthly section in GQ magazine. As a playwright, he collaborated with Jo\u00e3o Fiadeiro, Ana Borralho and Jo\u00e3o Galante, Miguel Pereira, Tonan Quito, Elmano Sancho, Diana Niepce, Mihai Mihalcea, Eduard Gabia, Manuel Pelmus, Mihaela Dancs, Brynjar Bandlien, Madalina Dan among other, raising awareness and creating narratives based on personal experiences, which he called \u201cThe game of difficult questions\u201d, which resulted, for example, in the theater workshops \u201cNow you do it\u201d, as well as the several plays he created in Vale da Amoreira with a group of young people of African origin who interpret their own stories, with narratives of war, life in the suburbs and the African diaspora: \u201cAnd now we\u201d, \u201cAdriano no longer lives here\u201d, \u201cFear on the way\u201d and \u201cThe Mandjako Girl\u201d.<\/p>\n<p>Madiu Furtado Embal\u00f3 (Bubaque, Guinea-Bissau, 1992). He left Guinea-Bissau during the civil war, when he was eight, and settled with his mother and brothers in Vale da Amoreira, where he lived for 16 years. His father stayed in Guinea. He was a journalist for the regional daily newspaper \u201cO Setubalense\u201d and collaborated with \u201cObservador\u201d newspaper. He has a degree in Social Communication and Marketing at the Polytechnic Institute of Set\u00fabal. He wrote the novel \u201cOne of Us\u201d, about the African community on the south bank of the Tagus river. He is the author of the texts for \u201cUnder the distance\u201d, the new play by Rui Catal\u00e3o.<\/p>\n<\/div><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-one\" style=\"--awb-margin-top:30px;--awb-margin-bottom:5px;\"><h1 class=\"fusion-title-heading title-heading-center\" style=\"margin:0;\"><h3 style=\"text-align: center;\"><strong>ARTISTIC WORKS<\/strong><\/h3><\/h1><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:-10px;margin-bottom:20px;width:100%;\"><div class=\"fusion-separator-border sep-single sep-solid\" style=\"--awb-height:20px;--awb-amount:20px;border-color:#e0dede;border-top-width:1px;\"><\/div><\/div><div class=\"fusion-video fusion-vimeo\" style=\"--awb-max-width:600px;--awb-max-height:360px;--awb-align-self:center;--awb-width:100%;--awb-margin-top:30px;--awb-margin-bottom:40px;\"><div class=\"video-shortcode\"><div class=\"fluid-width-video-wrapper\" style=\"padding-top:60%;\" ><iframe title=\"Vimeo video player 1\" src=\"https:\/\/player.vimeo.com\/video\/835022369?autoplay=0&amp;autopause=0\" width=\"600\" height=\"360\" allowfullscreen allow=\"autoplay; fullscreen\"><\/iframe><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":19976,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"video","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"portfolio_category":[1269,1254],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-19970","avada_portfolio","type-avada_portfolio","status-publish","format-video","has-post-thumbnail","hentry","portfolio_category-2023-en","portfolio_category-artistas-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio\/19970","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/comments?post=19970"}],"version-history":[{"count":5,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio\/19970\/revisions"}],"predecessor-version":[{"id":20720,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio\/19970\/revisions\/20720"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media\/19976"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media?parent=19970"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/portfolio_category?post=19970"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/portfolio_skills?post=19970"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/portfolio_tags?post=19970"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}