{"id":19909,"date":"2023-07-09T15:30:10","date_gmt":"2023-07-09T15:30:10","guid":{"rendered":"https:\/\/www.binauralmedia.org\/news\/arquivo\/portfolio-items\/luis-costa-2"},"modified":"2024-02-09T14:19:26","modified_gmt":"2024-02-09T14:19:26","slug":"luis-costa-2023","status":"publish","type":"avada_portfolio","link":"https:\/\/www.binauralmedia.org\/news\/en\/arquivo\/portfolio-items\/luis-costa-2023","title":{"rendered":"Lui\u0301s Costa (2023)"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p><strong>A crack in the landscape<\/strong><\/p>\n<p>In a world where places are increasingly the stage for \u201cexperiences\u201d, authentic fleeting moments of enthusiasm, it is interesting to develop a counterpoint reflection that could make us reflect\/feel about the paths of the history of communities that led to the way we see and feel the transformed landscape today.<\/p>\n<p>For example, what can an old tungsten mine tell us? Does the stony beauty remind us of or forget us the miners who dug these rocks day by day? Can the beams of light that enter the mine at certain times be felt from a transcendent point of view, as a heavenly tribute to those who perished here?<\/p>\n<p>\u201cA crack in the landscape\u201d is an audiovisual poem by Lu\u00eds Costa that was born spontaneously, from the daily presence in the old mine of Queiriga (Vila Nova de Paiva), during the artist residency \u201cEchoes of Leaving and Returning\u201d organized by Binaural Nodar between June 26th and July 8th, 2023.<\/p>\n<p>Lu\u00eds Costa (1968). Curator of contemporary artistic practices, researcher and sound artist, educator and cultural animator in a rural areas, in the context of Binaural Nodar. Coordinator of Laf\u00f5es Cult Lab, a multimedia artistic research concept in the territory of Viseu D\u00e3o Laf\u00f5es which has already hosted more than 150 sound\/media artists, social and environmental researchers from more than 20 countries. Coordinator of the Binaural Nodar Digital Archive, a research, cataloging and sound and audiovisual mapping project of the collective memory of the rural territories where Binaural Nodar works. In 2011, he co-edited the catalog and double CD \u201cThree Years in Nodar: Context-specific artistic practices in rural Portugal\u201d, edited in 2017 the book + documentary \u201cV\u00e1rzea de Calde: a village woven in linen\u201d and in 2023 the book \u201cDancing with the root: Documenting the memory of folklore groups from Castro Daire\u201d. Lu\u00eds Costa is also the author of two books + CD created as a result of sound education projects: \u201cSound Memory of Cork\u201d with the participation of children from primary schools in the municipality of Santa Maria da Feira, together with companies and workers from the cork sector and \u201cS\u00e3o Pedro do Sul: New Rural Listenings\u201d based on recordings made by youths in rural villages from the municipality of S\u00e3o Pedro do Sul.<\/p>\n<\/div><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-center fusion-title-text fusion-title-size-one\" style=\"--awb-margin-top:30px;--awb-margin-bottom:5px;\"><h1 class=\"fusion-title-heading title-heading-center\" style=\"margin:0;\"><h3 style=\"text-align: center;\"><b>ARTISTIC WORKS<\/b><\/h3><\/h1><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:-10px;margin-bottom:20px;width:100%;\"><div class=\"fusion-separator-border sep-single sep-solid\" style=\"--awb-height:20px;--awb-amount:20px;border-color:#e0dede;border-top-width:1px;\"><\/div><\/div><div class=\"fusion-video fusion-vimeo\" style=\"--awb-max-width:600px;--awb-max-height:360px;--awb-align-self:center;--awb-width:100%;--awb-margin-top:30px;--awb-margin-bottom:40px;\"><div class=\"video-shortcode\"><div class=\"fluid-width-video-wrapper\" style=\"padding-top:60%;\" ><iframe title=\"Vimeo video player 1\" src=\"https:\/\/player.vimeo.com\/video\/844962405?autoplay=0&amp;autopause=0\" width=\"600\" height=\"360\" allowfullscreen allow=\"autoplay; fullscreen\"><\/iframe><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":13,"featured_media":19907,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"video","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"portfolio_category":[1269,1212,1217,1254],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-19909","avada_portfolio","type-avada_portfolio","status-publish","format-video","has-post-thumbnail","hentry","portfolio_category-2023-en","portfolio_category-activities-en","portfolio_category-artist-residencies-en","portfolio_category-artistas-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio\/19909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/comments?post=19909"}],"version-history":[{"count":5,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio\/19909\/revisions"}],"predecessor-version":[{"id":20749,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio\/19909\/revisions\/20749"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media\/19907"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media?parent=19909"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/portfolio_category?post=19909"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/portfolio_skills?post=19909"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/portfolio_tags?post=19909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}