{"id":18836,"date":"2023-06-28T12:10:59","date_gmt":"2023-06-28T12:10:59","guid":{"rendered":"https:\/\/www.binauralmedia.org\/news?post_type=avada_portfolio&#038;p=18836"},"modified":"2023-06-28T12:10:59","modified_gmt":"2023-06-28T12:10:59","slug":"coletivo-somospeces","status":"publish","type":"avada_portfolio","link":"https:\/\/www.binauralmedia.org\/news\/en\/arquivo\/portfolio-items\/coletivo-somospeces","title":{"rendered":"Coletivo Somospeces"},"content":{"rendered":"<div>\n<div>\n<p><strong>Happy<\/strong><\/p>\n<p>\u201cHappy\u201d it\u2019s the name of a film project that pretends to build a place of recess and of reflection about the meaning of being together. Once the logic of the power lives through the control of transparencies and visibility, \u201cHappy\u201d pretends to create \u201capparition spaces\u201d, in the public eye, through the creation of new and imaginary collectives, introducing the community as a sensitive phenomena, recuperating silent stories \/ relegated memory, assuming social frictions in order to give fresh perspectives and proposing to the public a relation that allows to reinvent their conduction and the idea of a work itself. The project will have as base a three day ateli\u00ea with the participation of six locals, whether they\u2019re artists or not. The participants are going to set in motion an action\/party that serves to reflect, learn, criticar and mock the premises that establish how the world, that we live in, works.<\/p>\n<\/div>\n<div>\n<p>Somospeces, it\u2019s a performing arts collective founded by Marta Alaiz and Alfredo Escapa, that focuses on the formation of spaces and the collaborative creation between the performers and the audience. The collective pretends to visualize and modify the uses of collective and individual bodies, proposing other ways of operating and connecting with each other. Their proposals have the purpose to generate spaces of soft, receptive and open resistance thatcan give birth to new realities. Alfredo Escapa and Marta Alaiz are film artists from Le\u00f3n (Spain). Alfredo Escapa has abachelor in live arts and several masters like Oskar G\u00f3mez Mata, Espe L\u00f3pez, Olga Mesa, Nilo Gallego, Sabine Dahendorf, Andr\u00e9s Corchero, Martin Chaput, Esperanza Abad, M\u00aa Mar Navarro, Andr\u00e9s Hern\u00e1ndez, Isabel \u00dabeda Puccini, Mas Soegeng, Ar\u00edstides Vargas, Alicia Framis and Virginia Villaplana. He has worked with Nilo Gallego in \u201cCiegas con Pistola\u201d, \u201cForado tempo\u201d, \u201cPeque\u00f1as Nadas\u201d, and \u201cGrupo Sangu\u00edneo\u201d. Additionally with Silvia Zayas in ElMientras del Teatro; with L\u2019Alakran in Psicodrama IV and Optimistic vs Pessimistic; and with Constanza Brnic in El Ejercicio de la Fuerza. In collaboration with Somospeces he has created the shows \u201cSabe Mentir la Boca\u201d and \u201cLas Ostras no Esperan a Nadie en el Fondo del Mar\u201d; with La Tremolina Teatro he has created \u201cPoes\u00eda Viva!!!\u201d, \u201cPoes\u00eda a la Luz de la Claraboya\u201d and \u201cL.P. Viaje al Coraz\u00f3n del Poeta\u201d.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Happy \u201cHappy\u201d it\u2019s the name of a film project that  [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":18837,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"portfolio_category":[1323,1254],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-18836","avada_portfolio","type-avada_portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-2016-en","portfolio_category-artistas-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio\/18836","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/comments?post=18836"}],"version-history":[{"count":1,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio\/18836\/revisions"}],"predecessor-version":[{"id":18839,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio\/18836\/revisions\/18839"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media\/18837"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media?parent=18836"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/portfolio_category?post=18836"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/portfolio_skills?post=18836"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/portfolio_tags?post=18836"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}