{"id":18311,"date":"2023-06-20T09:39:32","date_gmt":"2023-06-20T09:39:32","guid":{"rendered":"https:\/\/www.binauralmedia.org\/news?post_type=avada_portfolio&#038;p=18311"},"modified":"2023-07-03T15:19:39","modified_gmt":"2023-07-03T15:19:39","slug":"18311","status":"publish","type":"avada_portfolio","link":"https:\/\/www.binauralmedia.org\/news\/en\/arquivo\/portfolio-items\/18311","title":{"rendered":"C\u00e9dric Anglaret"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p><strong>A Legend that Becomes Reality<\/strong><\/p>\n<div>\n<div>\n<p>The idea was, in these times of transition, to reactivate the past (traditions) within the present, in order to question the future. An old legend that suddenly reappears calls for reactions and questioning. Within this purpose I was to look for local legends and beliefs that after wards could,through some clues I would point out, be brought back into the everyday life.<\/p>\n<\/div>\n<div>\n<p>(Before starting the project, I wrote down some important aspects that should be respected)<\/p>\n<\/div>\n<div>\n<p>1. First of all, the project should be kept secret from the inhabitants of Nodar. Its power to stimulate would be completely lost if known as \u201ca project\u201d.<\/p>\n<\/div>\n<div>\n<p>2. The legend has to be well known but not too much in order to stay in the territory of magic. Rumour has its job there.<\/p>\n<\/div>\n<div>\n<p>3. The legend can be chosen for its metaphorical power but should not be too \u201cheavy\u201d.<\/p>\n<\/div>\n<div>\n<p>4. The \u201crealization\u201d of the legend has to be as light as possible. A few details, clues&#8230; nothing obvious. Rumour has its job there as well.<\/p>\n<\/div>\n<div>\n<p>5. Keeping in mind that what interests us here is not the actual \u201crealization of the legend\u201d but the stimulation it could provoke in the community we should be prepared to make the best out of any other routes and events that surely will happen during that time.<\/p>\n<\/div>\n<div>\n<p>After my arrival in Nodar I spoke with an old village lady and she told me of an old legend: in the mountain facing the artist residency some villagers claimed to have seen flickering lights that were thought to be dancing witches. That\u2019s a very dark location, because there aren\u2019t any villages around,so any light coming from it was seen as a sign of \u201csomething strange\u201d.<\/p>\n<\/div>\n<div>\n<p>My initial idea was to use strange sounds, because they can easily be associated with paranormal activity, but we didn\u2019t make it because the nature sound, the river, is very loud. So we came back to the idea of using lights and we went to the Chinese shop and bought cheap LED lights that we placed in the mountain, forming a circle with seven different points. After wards we came back and waited. Later in the evening, we heard a woman screaming and two men speaking about lights-we think we heard the word \u201cbruxas\u201d (witches). We recorded it. Then two men came to speak with us.They wanted to know if we had also seen the lights, since we were in a very good position to witness it. We confirmed we had seen lights and their curiosity in creased to the point of one of them, the youngest and fiercest, having wanted to go there, while his reluctant friend, the oldest,preferred not to. We were asked to go along and we acted to be scared about it. They went alone and took about half an hour to go and come back. While they were up there we could see some of the lights moving and we could hear the voice of the older friend shouting heavy insults. Once they arrived back to the residency we offered them beer and stayed chatting with them. Curiously enough, they didn\u2019t suspect of us and we were surprised they left the lamps untouched. They haddecided to keep playing the game enjoying the fact that all the villagers around would also be scared. We talked about many things and they continued with great enthusiasm talking about the legend of the dancing witches, mentioning facts we didn\u2019t know, about ancient houses in that area.So the first part was over. The rumour was spread and people would now start conversations about the lights, evoking old stories.<\/p>\n<\/div>\n<div>\n<p>What we were to do next was to, in a discrete manner, find the reactions from the villagers at the local caf\u00e9s. We also decided to leave the lights there with the purpose of keeping the conversations and the storytelling alive. Once the rumours started they gained life of their own, becoming the source for new stories. Now we had the possibility to record those descriptions.<\/p>\n<\/div>\n<div>\n<p>However, after all, I don\u2019t feel documentation is a necessity for the project, I\u2019m not interested in the material remains of the project. The facts are the most important part of it. I won\u2019t show this project anywhere else because there\u2019s nothing to show, the project is what happens now and in this place,and if it happens a few days from now it\u2019s probable I won\u2019t know about it.<\/p>\n<\/div>\n<div>\n[The documentation of this project consisted of sparse material, interviews, photos, low quality video recordings (night footages) and sound recordings made by Binaural\/Nodar.].<\/p>\n<\/div>\n<div>\n<p>C\u00e9dric Anglaret is a Paris-based perfomance artist with a focus on public space actions (or non-actions), charged with irony and sometimes almost invisible to the passer-by. In C\u00e9dric\u2019s own words: \u201cMy stance as an artist is my stance as a human. I am not different from the others. My work is composed of a variety of propositions and invitations to actions, experiments or micro events. Some are collective many are individuals. A thirty minutes blind folded walk, a walk of which every parameter is defined randomly, forty minutes of immobility in a waiting room, invitations to share a smile, extremely slow walk on a daily journey&#8230; Once the invitation is sent via flyers, classifieds advertisements, radio or word of mouth anyone interested can contact me. They are the public.\u201d<\/p>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":18312,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"portfolio_category":[1347,1254],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-18311","avada_portfolio","type-avada_portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-2008-en","portfolio_category-artistas-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio\/18311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/comments?post=18311"}],"version-history":[{"count":3,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio\/18311\/revisions"}],"predecessor-version":[{"id":19293,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio\/18311\/revisions\/19293"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media\/18312"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media?parent=18311"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/portfolio_category?post=18311"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/portfolio_skills?post=18311"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/portfolio_tags?post=18311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}