{"id":18308,"date":"2023-06-20T08:49:55","date_gmt":"2023-06-20T08:49:55","guid":{"rendered":"https:\/\/www.binauralmedia.org\/news?post_type=avada_portfolio&#038;p=18308"},"modified":"2023-07-03T15:16:59","modified_gmt":"2023-07-03T15:16:59","slug":"toomas-theloff","status":"publish","type":"avada_portfolio","link":"https:\/\/www.binauralmedia.org\/news\/en\/arquivo\/portfolio-items\/toomas-theloff","title":{"rendered":"Toomas Theloff"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p><strong>A Film<\/strong><\/p>\n<div>\n<div>\n<p>This was my first time doing an artist residency. I had many questions on my mind and they needed to be answered. The aim of this project was to try to comprehend the personal essence of an artist residency program. To do this, I mapped the history and events of Nodar by creating a narrative from the meetings and interviews with the local people and by investigating the documented history of the Nodar Artist Residency Center. To perceive the fruitful characteristics of a subject, it is wise to examine it from many different perspectives. If we consider a space to be a vocabulary then we also need tools of common language to share the experience. For this reason I wanted to under go the collective experience of Nodar through the eyes and ears of an ordinary villager. In a small community it is important for an organization to be aware of its impact on the community. One way to learn this is by examining the myths and stories people hold on them. In a way, my work is the manifestation of the process of the free associations initiated by the Nodar Artist Residencies in the local community. The collected material was mixed with the (f) actual documents and archive materials of Nodar. The fact is fiction. Which time period has been the most memorable? \u2013The days when I was a young boy. Youth was very different then.<\/p>\n<\/div>\n<div>\n<p>For instance, when there was a local dance party, the event would end at 9 p.m.. Now, at that hour, things haven\u2019t even started. Now parents support the young people. I started to work when I was 12 years old. (Jo\u00e3o Almeida Gomes (47 years old). From Pinheiro (Quinta da Mata). Works in construction and lives in Parada de Ester) \u2013When I was 18 and was running after the girls! In my time there were 16 girls my age. Now there are almost none.<\/p>\n<\/div>\n<div>\n<p>They all go away. (Eduardo Penedo, 81 years. Retired. Lives in Sequeiros) \u2013I remember the time when I was younger and I would sing and danced with the traditional dance group (\u201crancho\u201d). That group gave a lot of joy to the population. Then I got married. I could not find work, and went to Switzerland.(Donz\u00edlia Cipriano, 49 years. Works at \u201cFlor do Campo\u201d cafe and grocery store, Sequeiros).<\/p>\n<\/div>\n<div>\n<p><strong>How would you describe the present moment, in terms of the life quality (diligence,employment rate, in come, collective activities, time spent incommunal activities, etc.)?<\/strong><\/p>\n<\/div>\n<div>\n<p>\u2013There is no trust. People seem to be up set with each other. They think mostly about money. People live well in the village. The problem is that there are less and less people. There is still some work, especially in construction. People don\u2019t get together, except for football matches. (Jos\u00e9 Pinto, Parada de Ester).<\/p>\n<\/div>\n<div>\n<p>\u2013It is OK. But, as in any other village, there are always some black sheep.People who just came into this world to annoy others, and others who were born to suffer. There are opportunities here. For instance we have a doctor who comes everyday to the local Health Center. We have a bakery, a pharmacy, a restaurant. Before the Euro things were better. (Jo\u00e3o Almeida Gomes (47 years old). From Pinheiro (Quinta da Mata). Works in construction and lives in Parada de Ester).<\/p>\n<\/div>\n<div>\n<p>\u2013Before things were worse and better at the same time. Things were more difficult but we were young. Now old people have pensions and we can live better of. For younger people things are not so good. They go away to study and to find jobs and never come back. (Eduardo Penedo, 81 years. Retired. Lives in Sequeiros).<\/p>\n<\/div>\n<div>\n<p><strong>What is the main thing that keeps the village alive?<\/strong><\/p>\n<\/div>\n<div>\n<p>\u2013The old people are the ones who keep the village alive. I hope I am wrong, but in 10 years time, the village will have half the people it has now. (M\u00e1rio de Almeida Monteiro (34 years old). Metal worker., Parada de Ester).<\/p>\n<\/div>\n<div>\n<p>\u2013Before everybody was poorer but happier. Now, it\u2019s the fact that people get together. (Jos\u00e9 Paiva Ribeiro (64 years old). Retired).<\/p>\n<\/div>\n<div>\n<p><strong>When was the last time you had a meeting with the villagers?<\/strong><\/p>\n<\/div>\n<div>\n<p>\u2013Some days ago at a meeting about the local community land and forest.There are some personal problems in the village because of the water to the lands. Probably it\u2019s the younger ones that can overcome the situation. (Jos\u00e9 Pinto, Parada de Ester).<\/p>\n<\/div>\n<div>\n<p>What do you think of the kind of influence that Binaural\/Nodar has on the village (life)?<\/p>\n<\/div>\n<div>\n<p>\u2013We have heard some information about it, but we don\u2019t always understand what it means. Those art activities are important.(M\u00e1rio de Almeida Monteiro (34 years old).Metal worker).<\/p>\n<\/div>\n<div>\n<p><strong>What kind of meaning does Binaural\/Nodar hold for you?<\/strong><\/p>\n<\/div>\n<div>\n<p>\u2013For the time being, it doesn\u2019t mean anything. I see the posters here, but I never went there (lack of time or I forgot). (M\u00e1rio de Almeida Monteiro (34years old). Metal worker).<\/p>\n<\/div>\n<div>\n<p><strong>Do you attend the presentations of artists work?<\/strong><\/p>\n<\/div>\n<div>\n<p>\u2013Once I saw a presentation. A kind of a movie. It was not bad, but people in the villages sometimes fear talking, because they may think it is for something else. (Jo\u00e3o Almeida Gomes (47 years old). From Pinheiro (Quinta da Mata).Works in construction and lives in Parada de Ester).<\/p>\n<\/div>\n<div>\n<p>\u2013Yes, I was at one of the events where one of the artists prepared a dish; bought the ingredients at the local market, and offered it to the people of Parada de Esterto taste. (S\u00f3nia Barbosa (26 years old). She works at \u201cBem Estar\u201d restaurant).<\/p>\n<\/div>\n<div>\n<p>\u2013Yes. I also participated in one of the projects, when an artist asked meto hold two lambs in my arms for her to take a picture. (Donz\u00edlia Cipriano, 49years. Works at \u201cFlor do Campo\u201d cafe and grocery store, Sequeiros).<\/p>\n<\/div>\n<div>\n<p><strong>How could you benefit the most from Binaural\/Nodar?<\/strong><\/p>\n<\/div>\n<div>\n<p>\u2013If they did presentations here in Parada de Ester, I would be more inclined to attend them. (Jos\u00e9 Pinto, Parada de Ester).<\/p>\n<\/div>\n<div>\n<p>\u2013Perhaps if they could hold some activities here in Sequeiros, and also if they could create jobs for people in the region. (Donz\u00edlia Cipriano, 49 years. Works at \u201cFlor do Campo\u201d cafe and grocery store, Sequeiros).<\/p>\n<\/div>\n<div>\n<p><strong>What would be different from the present if there were ten artists\/cultural activists living in Nodar?<\/strong><\/p>\n<\/div>\n<div>\n<p>\u2013Probably it would be good. Maybe they could organize things more often,not just one weekend. More people would come from outside to know the village. (M\u00e1rio de Almeida Monteiro (34 years old). Metal worker).<\/p>\n<\/div>\n<div>\n<p>\u2013If there was an event every week I would go there. I wouldn\u2019t mind paying 5 or 10 Euros for that. Others wouldn\u2019t pay. They are very attached to money. (Jos\u00e9 Paiva Ribeiro (64 years old). Retired).<\/p>\n<\/div>\n<div>\n<p>When did it first strike you that there is a house in Nodar full of \u201cstrange people\u201d\/artists?<\/p>\n<\/div>\n<div>\n<p>\u2013When they started, they came immediately to talk to us (the Sequeiros Community Association) to see if we could work together. (Donz\u00edlia Cipriano,49 years. Works at \u201cFlor do Campo\u201d cafe and grocery store, Sequeiros).<\/p>\n<\/div>\n<div>\n<p><strong>Which activities would you like to see more often?<\/strong><\/p>\n<\/div>\n<div>\n<p>\u2013Music, soap operas, theater. (Jo\u00e3o Almeida Gomes (47 years old). From Pinheiro (Quinta da Mata). Works in construction and lives in Parada de Ester).<\/p>\n<\/div>\n<div>\n<p>\u2013Activities especially for children. After the Sunday Mass the kids don\u2019t have anything to do. Just TV or going for a walk with the parents. (M\u00e1rio de Almeida Monteiro (34 years old). Metal worker).<\/p>\n<\/div>\n<div>\n<p>\u2013Cultural activities. Clowns and all those things. (Jos\u00e9 Paiva Ribeiro (64 years old). Retired).<\/p>\n<\/div>\n<div>\n<p>\u2013Maybe preparing dishes from other countries, so that we can get to know different things.(S\u00f3nia Barbosa (26 years old). She works at \u201cBem Estar\u201d restaurant).<\/p>\n<\/div>\n<div>\n<p><strong>What do you expect from the artists?<\/strong><\/p>\n<\/div>\n<div>\n<p>\u2013I don\u2019t know these artists, so I cannot expect anything. People need more than bread to live. (Jo\u00e3o Almeida Gomes (47 years old). From Pinheiro (Quintada Mata). Works in construction and lives in Parada de Ester).<\/p>\n<\/div>\n<div>\n<p>\u2013That they can bring new things. They can teach us something. (M\u00e1rio deAlmeida Monteiro (34 years old). Metal worker).<\/p>\n<\/div>\n<div>\n<p><strong>Has Binaural\/Nodar opened a new perspective of everyday life?<\/strong><\/p>\n<\/div>\n<div>\n<p>\u2013They can help to develop these villages&#8230; tourism related. I only think about tourism regarding this. (Jos\u00e9 Pinto, Parada de Ester).<\/p>\n<\/div>\n<div>\n<p><strong>Do you think that Binaural\/Nodar is a tourist oriented\/touristy organization?<\/strong><\/p>\n<\/div>\n<div>\n<p>\u2013Yes. They should explore more the tourist side of the region. We have beautiful landscapes, with the mountains and the rivers. (Donz\u00edlia Cipriano, 49 years. Works at \u201cFlor do Campo\u201d cafe and grocery store, Sequeiros).<\/p>\n<\/div>\n<div>\n<p><strong>Do you see Nodar as an area for development of rural tourism?<\/strong><\/p>\n<\/div>\n<p>\u2013We have beautiful landscapes, with the mountains and the rivers. Theres hould be more investment; hotels and inns, so that the tourists could stay inthe region and not just pass by. (Donz\u00edlia Cipriano, 49 years. Works at \u201cFlor do Campo\u201d cafe and grocery store, Sequeiros).<\/p>\n<p><strong>Do you see Nodar as area for artists to develop their projects?<\/strong><\/p>\n<p>\u2013Is a good place for people to think, because it is quiet. (Jos\u00e9 Pinto,Parada de Ester).<\/p>\n<p>\u2013In the river; in the abandoned houses (for fIlming and performing). (Jo\u00e3o Almeida Gomes (47 years old). From Pinheiro (Quinta da Mata). Works in construction and lives in Parada de Ester).<\/p>\n<div>\n<p>\u2013A painter or other artist that can be seated near the river; that silence has all the conditions for artistic creation. (M\u00e1rio de Almeida Monteiro (34 years old).Metal worker)<\/p>\n<\/div>\n<div>\n<p><strong>What is it that makes Nodar (this area in general) attractive for visitors\/tourists\/artists?<\/strong><\/p>\n<\/div>\n<div>\n<p>\u2013It is a beautiful region. People are tired of the cities. There are mountains,old houses, the Paiva River. (S\u00f3nia Barbosa (26 years old). She works at \u201cBem Estar\u201d restaurant).<\/p>\n<\/div>\n<div>\n<p>\u2013The mountains in bloom, the old villages. We don\u2019t find it so special because we were raised here but people from the city really like it. (Eduardo Penedo, 81 years. Retired. Lives in Sequeiros).<\/p>\n<\/div>\n<div>\n<p><strong>Do you have any questions which you would like to ask from an Estonian villager?<\/strong><\/p>\n<\/div>\n<div>\n<p>\u2013Is it beautiful over there? Are there good living conditions? Is the cost of living higher or lower than Portugal? Do they like it here? Do they like our food? (S\u00f3nia Barbosa (26 years old). She works at \u201cBem Estar\u201d restaurant).<\/p>\n<\/div>\n<div>\n<p>Toomas Thetloff is an Estonian interdisciplinary artist working in the fields of photography, sound,installation, performance and video.Since 2005 he has been running several performance-actions in cooperation with \u201cArt Security\u201d and EKSP. He is also a coordinator for an experimental project space \u201cp.o.t.t.\u201d and a member of MoKS.<\/p>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":18305,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"portfolio_category":[1347,1254],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-18308","avada_portfolio","type-avada_portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-2008-en","portfolio_category-artistas-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio\/18308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/comments?post=18308"}],"version-history":[{"count":3,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio\/18308\/revisions"}],"predecessor-version":[{"id":19290,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio\/18308\/revisions\/19290"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media\/18305"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media?parent=18308"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/portfolio_category?post=18308"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/portfolio_skills?post=18308"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/portfolio_tags?post=18308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}