{"id":18269,"date":"2023-06-19T14:10:17","date_gmt":"2023-06-19T14:10:17","guid":{"rendered":"https:\/\/www.binauralmedia.org\/news?post_type=avada_portfolio&#038;p=18269"},"modified":"2023-07-03T15:06:34","modified_gmt":"2023-07-03T15:06:34","slug":"keiko-uenishi","status":"publish","type":"avada_portfolio","link":"https:\/\/www.binauralmedia.org\/news\/en\/arquivo\/portfolio-items\/keiko-uenishi","title":{"rendered":"Keiko Uenishi"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1144px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p><strong>Nodar Social Composition<\/strong><\/p>\n<div>\n<div>\n<p>Raised in big cities, I have always been wondering how our ways of thinking\/feeling are getting affected by our relationship with sounds in the environments we live in. It had become a main focus of my study: the creation of environments and circumstances where sound is one key element. Sound is inseparable from its surroundings.<\/p>\n<\/div>\n<div>\n<p>The same sound will be perceived completely differently if it were placed in a different situation. How people react to sounds? Those who were brought up in an apartment facing with busy traffic, would register certain sounds in the same manner as those who were brought up in a quiet village? Can the sound of a big truck passing, with rattling beer bottles, be someone\u2019s comfort?<\/p>\n<\/div>\n<div>\n<p>With this project Iaimed to experiment with non-language communications involving symbols (codes) and sounds in order to create a social\/collective action as musical composition. Itenabled me to encounter people in Nodar with different language and culture background, to build(an) alternative mean(s) of communication.<\/p>\n<\/div>\n<div>\n<p>Keiko Uenishi a.k.a. o.blaat is based in Brooklyn, New York and works as a sound artist, composer and core member of SHARE collective. She is known for creating various interactive audio environments resulting from her ceaseless pursuits of erasing the performer\u2019s presence and ultimately altering listening situations. After performing with a unique, hand-made electronic \u201ctapboard effector soundsystem\u201d for several years, Keiko has been exploring the Powerbook\u2019s mobility. Her performances and installations have appeared at many museums, clubs,galleries and festivals worldwide. Most recently, she completed a site-specific audio \/ light interactive installation, \u201cAboard:Fillip2\u201d created for a cargo-container at Fortescue Avenue Gallery,London in July 2005.<\/p>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":18267,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"portfolio_category":[1346,1254],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-18269","avada_portfolio","type-avada_portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-2007-en","portfolio_category-artistas-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio\/18269","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/comments?post=18269"}],"version-history":[{"count":2,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio\/18269\/revisions"}],"predecessor-version":[{"id":19280,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio\/18269\/revisions\/19280"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media\/18267"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media?parent=18269"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/portfolio_category?post=18269"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/portfolio_skills?post=18269"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/portfolio_tags?post=18269"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}