{"id":12507,"date":"2014-08-16T17:28:52","date_gmt":"2014-08-16T17:28:52","guid":{"rendered":"https:\/\/www.binauralmedia.org\/news\/arquivo\/portfolio-items\/the-sense-of-pain-two-works-by-manuela-barile"},"modified":"2025-02-18T00:07:05","modified_gmt":"2025-02-18T00:07:05","slug":"nodar-008","status":"publish","type":"avada_portfolio","link":"https:\/\/www.binauralmedia.org\/news\/en\/arquivo\/portfolio-items\/nodar-008","title":{"rendered":"The sense of pain: two works by Manuela Barile"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-column-wrapper-legacy\"><div class=\"fusion-text fusion-text-1\"><p>Book with 104 b\/w pages + DVD with works &#8220;C\u00e0&#8221; e &#8220;Moroloja&#8221;<br \/>\nAuthor: Lu\u00eds Costa, Filippo Lanci and Gianfranco Spitilli<br \/>\nCatalog Number: Edi\u00e7\u00f5es Nodar, nodar.008 \/ La Parette della Caverna (002)<br \/>\nISBN: 978-989-97205-4-1<\/p>\n<p><span id=\"result_box\" lang=\"en\"><span title=\"As Edi\u00e7\u00f5es Nodar em colabora\u00e7\u00e3o com a Cole\u00e7\u00e3o V\u00eddeo \">Edi\u00e7\u00f5es Nodar in collaboration with the Video Collection &#8220;La Parette della Caverna&#8221; publish an essay book + DVD about two art works of religious nature by Manuela Barile: &#8220;C\u00e0&#8221; and &#8220;Moroloja&#8221;, both developed in the Gralheira mountain range (S\u00e3o Pedro do Sul, PT), where the artist and Binaural\/Nodar&#8217;s artistic director artist lives. <\/span><span title=\"Duas obras sobre a lamenta\u00e7\u00e3o da morte, individual (de uma m\u00e3e por sua filha) ou coletiva (de uma aldeia), que t\u00eam como personagem uma mater dolorosa que enceta um processo de luto e, como tal, de restabelecimento de um novo equil\u00edbrio. \">Two works about mourning death, either individual (of a mother for her daughter ) or collective (the death of a village), whose character is a mater dolorosa who initiates a mourning process and as such, the restoration of a new equilibrium.<\/span><\/span><\/p>\n<p><span title=\"\">&#8220;C\u00e0 &#8221; and &#8221; Moroloja&#8221; are two audio\/video works deeply marked by anthropological elements of the religious feeling in Southern Italy and in the rural mountain villages of the Gralheira mountain range and both works are the subject of multidisciplinary analysis in the fields of <\/span><span title=\"teologia crist\u00e3, antropologia e cr\u00edtica de arte, desenvolvidas pelo especialista em arte sacra e padr\u00f3logo, Padre Filippo Lanci, pelo demoetnoantrop\u00f3logo Gianfranco Spitilli e por Lu\u00eds Costa, presidente da Binaural\/Nodar, para al\u00e9m da pr\u00f3pria Manuela Barile. \">Christian theology, anthropology and art critique, written by specialist in sacred art and patrologist Father Filippo Lanci, by demo-ethno-anthropologist Gianfranco Spitilli, by Lu\u00eds Costa, president of Binaural\/Nodar and by Manuela Barile herself.<\/span><\/p>\n<p><span title=\"Esta publica\u00e7\u00e3o ea exposi\u00e7\u00e3o associada, a ter lugar durante a Semana Santa numa importante cidade italiana (Teramo), s\u00e3o poss\u00edveis com o contributo espec\u00edfico do Ufficio Diocesno per l'Arte Sacra da Diocese de Teramo-Atri (Regi\u00e3o de Abruzzo, It\u00e1lia) e com\">This publication is possible with the specific contribution of Diocesan Office for Sacred Art at the Diocese of Teramo-Atri (Abruzzo region, Italy ) and with the <\/span><span title=\"A Binaural\/Nodar agradece publicamente o empenho inexced\u00edvel do Padre Filippo Lanci e do Dr. Gianfranco Spitilli para a concretiza\u00e7\u00e3o desta publica\u00e7\u00e3o e exposi\u00e7\u00e3o.\">structural funding to Binaural \/ Nodar by the Government of Portugal through its General Directorate for the Arts. Binaural\/Nodar wishes to publicly thank the unexcelled commitment of both Father Filippo Lanci and Dr. Gianfranco Spitilli to the achievement of this publication.<\/span><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-margin-top:0px;--awb-margin-bottom:0px;--awb-background-color:#f2f4ec;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" 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Binaural\/Nodar&#8217;s artistic director artist lives. Two works about mourning death, either individual (of a mother for her daughter ) or collective (the death of a village), whose character is a mater dolorosa who initiates a  mourning process and as such, the restoration of a new equilibrium.<\/p>\n","protected":false},"author":2,"featured_media":22980,"menu_order":104,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"portfolio_category":[1216],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-12507","avada_portfolio","type-avada_portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-publications-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio\/12507","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/comments?post=12507"}],"version-history":[{"count":5,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio\/12507\/revisions"}],"predecessor-version":[{"id":23260,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/avada_portfolio\/12507\/revisions\/23260"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media\/22980"}],"wp:attachment":[{"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/media?parent=12507"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/portfolio_category?post=12507"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/portfolio_skills?post=12507"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.binauralmedia.org\/news\/en\/wp-json\/wp\/v2\/portfolio_tags?post=12507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}